A Quote by Lauren Conrad

I'm obsessed with the 1920s, everything from the style to the lifestyle. It was a really cool era. — © Lauren Conrad
I'm obsessed with the 1920s, everything from the style to the lifestyle. It was a really cool era.
I want to create a lifestyle niche for that cool girl who's really into fashion but not too obsessed with it.
My personal style is a big mix. A lot of it's pretty vintage. I love vintage looks. I'm obsessed with the mid '60s era, even '70s, it was a good era for clothes, hair, music, and cars.
I wouldn't say I really admired anyone. When I was a kid, there were definitely a lot of tough guys, but they weren't really cool. If anything, that was an influence on me: to take that toughness and combine it with the cool style, the cool entrance, the cool gear - and driving to work in a Ferrari.
We define a metrosexual as someone who really takes care of themselves in terms of grooming and style. There is nothing wrong with that. But I think you need to have some other values. It's cool to incorporate some traditional values into metrosexuality. Then it becomes a good lifestyle.
So it was really cool just reinventing myself, changing my look, my image, my intensity, my ring-work style, everything that went along with it.
I do appreciate the '80s as an era, the general sounds and aesthetics of the era. The Cure, that whole kind of image is really kind of amazing, I think. The power ballads and how everything sparkles and words are really dramatic. Huge drums, things like that. I do really find it inspiring.
Well we've got to do a lot of kung fu choreography, which was really cool. Like I have, you know, like the big hammer that I use, kind of like a staff in a sense. So I get to use that like a really cool weapon. Kung fu style. And it's just really fun to get to learn that and execute it in a way that looks cool on screen. It just feels really rewarding.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
I am embarrassingly 1920s in style.
I love Demi Lovato's style. It's really different, but it's super chic and has a cool edge to it. I'm always trying to channel her style when going shopping for new clothes or getting dressed in the morning.
Everything is this distorted mishmash of pop culture that pulls from this era and that era and is just thrown at the wall. These people have no clue what anything really means. There are guys out there getting a million hits for a video.
Most people say that Asian or female artists should be sexy in America, but I don't think that I have to be like that. I have a tomboy style. My choreography is not that way. So, I want to focus on my music style to match the choreography, which is really cool. No girls can dance those moves. I try to make them really fresh.
The car is absolutely central to our approach. Everything we do begins with the automobile, whether it's old, new, bizarre, weird, strange, or cool. We're not going out to make a comedy show, and that's great, certainly from my point of view because obviously I'm totally obsessed with cars and I don't really like people.
The Big Band Era is my era. People say, 'Where did you get your style from?' I did the Big Band Era on guitar. That's the best way I could explain it.
I feel that, historically, the Art Deco period has the most resonance for me. As a person, it has to be the plucky Clara Bow, the heroine of American silent movies of the 1920s. She embodied feminine dressing mixed with men's style. All this then evolved into the exquisite style and simplicity of Coco Chanel.
It's really cool when, in every genre of music, you can listen to a song and know what era it was from.
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