A Quote by Lauren Conrad

Being a good observer is a great tool to have as a writer, just taking the world in. — © Lauren Conrad
Being a good observer is a great tool to have as a writer, just taking the world in.
As a writer, it's a great narrative tool to have that character who is slightly detached but at the same time observant of his reality, because I think that's pretty much what being a writer is - being there, watching and internalizing.
A curiously interested observer sees a great deal, a scientifically interested observer is worthy of all honor, and anxiously interested observer sees what others do not see, but a crazy observer sees perhaps the most, his observation is more intense and more persistent, just as the senses of certain animals are sharper than those of man.
The blog is certainly another tool for writers out there to break their way in. But being a blogger does not make you a great writer.
I think if you want to make a recipe for making a writer, have them feel a little out of place everywhere, have them be an observer kind of all the time. And that's a great way to make a writer.
Being good isn't just about being dextrous and being flash. Being good is about being an all-round contributor in the great world of music.
One can be a good critic and a moral observer, but one remains professionally detached as a writer and a filmmaker.
I have never pretended to be a great writer. I am totally immodest about being a great reporter and a good news writer. I write fast and I write accurately, nearly as accurately as anybody can be, and that's my skill.
To me, being masculine means being a great guy, a kind and loving husband, and a hard worker, and being honest, taking care of your family, being a good father, and being brave.
One of the best things I ever did was to train in a practical skill. I love computers and they've become such a part of life, especially to the world of design. But it's important to understand that they are a tool, as much as a hammer or a saw is a tool. Computers don't help you design. There needs to be more emphasis on training young designers in how to build things. A good writer needs a good vocabulary. A good designer needs to understand his materials and processes. You can't, as a successful designer, pretend to get any respect if you don't know how things are made.
A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist.
I met Jon Lovett, who was just coming off of three years of being a presidential speech writer and had just arrived here to be a comedy writer in Hollywood. I thought he was super green, in terms of this world, but he knows so much about the world that we're attempting to write about.
Get up from your desk and wander outside occasionally. To be a good writer one needs to be a good observer, and there isn't a lot to be observed at desk level.
As a writer, I could write in Canada and still get the American benefits. But I wanted to come down here for the good weather and for the parties, I want to be social too. Being in LA is really great for that, for just running out and grabbing coffee with another writer. I couldn't do that in Canada. I love Los Angeles, and I love New York too; I just couldn't raise three kids there.
I write and film history; I don't make it. One can be a good critic and a moral observer, but one remains professionally detached as a writer and a filmmaker.
My manager came up with the idea of taking a Pro Tool rig out on the road to record every night and I thought it was a great idea. I felt like it would be good to record over a certain period of time and then take the best performances of that collection of recordings. It appealed to me that it wasn't going to be from just one location.
Punk gave you a kind of chutzpah, so even trying to be a writer, I just thought, 'Well, I'm going to send poems to 'Radio Times,' short stories to the 'Observer,' just have a go.
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