A Quote by Lauren Fleshman

Fear is gradually replaced by excitement and a simple desire to see what you can do on the day. — © Lauren Fleshman
Fear is gradually replaced by excitement and a simple desire to see what you can do on the day.
What is required is the finding of that Immovable Point within one's self, which is not shaken by any of those tempests which the Buddhists call 'the eight karmic winds': 1-fear of pain, 2-desire for pleasure; 3-fear of loss; 4-desire for gain; 5-fear of blame, 6-desire for praise; 7-fear of disgrace; [and] 8-desire for fame.
I began to discriminate between fear and excitement. The two, though very close, are completely different. Fear is negative excitement, choking your imagination. Real excitement produces an energy that overcomes apprehension and makes you want to close in on your goal.
We often see people every day searching in the wrong places for the things they desire. Too many of our fellow humans try to find peace and happiness in drugs, alcohol, and sensual excitement. And it doesn't work. If we desire peace, the first place to look is within ourselves. Peace isn't an external condition as much as an internal context.
Peace is an idea born from hope and the desire to see your children raise a family, walk in a market, and engage in simple pleasures of everyday life without fear.
During the Blair-Brown decade social concerns - what kind of society we have become - have gradually replaced economic worries. People fear that we have become an increasingly fragmented, boorish, more violent society.
The only difference between fear and excitement is what we label it. The two are pretty much the same physiological/emotional reaction. With fear, we put a negative spin on it: "Oh no!" With excitement, we give it some positive english: "Oh, boy!"
Having wandered some distance among gloomy rocks, I came to the entrance of a great cavern ... Two contrary emotions arose in me: fear and desire--fear of the threatening dark cavern, desire to see whether there were any marvelous things in it.
There was this interesting quote: try and live your life without fear and desire. It's this concept that's like when you look at a painting in a museum and you are held in aesthetic arrest. So the I, the ego, is stripped, is gone. The observer and thing become one. That's where fear and desire come in because you don't want to own it, possess it, desire it, and it's not moving you to fear. It's like you're in this harmonious state with the object.
Sport is quite a simple thing. It is play, and in play, people of all ages find the chance to engage their most profound emotions-love, fear, excitement, disappointment, anger and joy.
My feeling about fiction, regardless of the genre, is that it is meant to be a representation of life. I want my books to give a whole spectrum of experiences to my readers. Not just fear or terror or revulsion, but excitement, laughter, pain, sorrow, desire, etc.
I have found strength where one does not look for it: in simple, mild, and pleasant people, without the least desire to rule -- and, conversely, the desire to rule has often appeared to me a sign of inward weakness: they fear their own slave soul and shroud it in a royal cloak (in the end, they still become the slaves of their followers, their fame, etc.)
It's bizarre: I've tried to understand why people are into Trump. I really don't think I can. I don't think it's as simple as just racism. I do think there's a fear that white people have, even if they don't have a vicious desire to do harm to black people, they fear losing their top spot.
My fear is not that our great movement, known as the Methodists, will eventually cease to exist or one day die from the earth. My fear is that our people will become content to live without the fire, the power, the excitement, the supernatural element that makes us great.
When you get so that you can't see, you come to it gradually. And if you didn't come by it gradually, I guess you'd just kill yourself when you couldn't see.
Video is originally a de-corporation, a disqualification of the sensorial organs which are replaced by machines. The eye and the hand are replaced by the data glove, the body is replaced by a data suit, sex is replaced by cybersex. All the qualities of the body are transferred to the machine.
I replaced Jim Garner in 'Maverick.' I replaced George Sanders in 'The Saint.' I've replaced everybody.
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