A Quote by Lauren Graham
I personally was driven to be an actor for the love of telling a story. It was very closely linked to being a reader as a kid and being transported by literature and art. It had nothing - zero - to do with anything resembling fame.
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Literature is about telling stories. Now, the gift of literature is that, in some lucky cases, reading a novel or a story makes the reader more curious, more open-minded. It may open a third eye in the middle of the reader's forehead.
Being an actor is an extension of telling a story and I loved story telling as a child.
I was an actor as a kid in Boston. Then I went to art school with Brice Marden, the Massachusetts College of Art. So the hybrid of being an actor and artist is a director.
I'm not someone who from a young age imagined myself being a writer or had dreams of being a novelist or anything like that, but I was always very driven by ideas and by values, and that is the reason I got into journalism.
I think, since I was a kid, I had that independence of being driven and being motivated in whatever I did, whether school work or a sport or even a hobby.
Each of us is our own story, but none of us is only our own story. The arc of my own personal story is inexplicably and intrinsically linked to the story of my parents and the story of my neighbor and the story of the kid that I met one time. All of us are linked in ways that we don't always see. We are never simply ourselves.
I wasn't interested in fame or fortune. I was interested in being an actor and being creative. I was very adamant about that.
A zero itself is nothing, but without a zero you cannot count anything; therefore, a zero is something, yet zero.
For me, being in front of a camera is a matter of practicing and refining your art. I think, if you're telling a story worth telling, it's worth investing the time into developing.
The word "nice" makes me break out in hives. When someone tells me that they think my work is nice I want to take knitting needles and shove them in my ear canals. I have the same almost physical reaction to the word "interesting." The word is vague enough to mean anything and nothing. Like nice, interesting means the reader had zero connection and zero emotional response to anything in the work.
As for fame, fame felt like nothing. Fame was not a sensation like love or hunger or loneliness, welling from within and invisible to the outside eye. It was rather entirely external, coming from the minds of others. It existed in the way people looked at him or behaved towards him. In that, being famous was no different from being gay, or Jewish, or from a visible minority: you are who you are, and then people project onto you some notion they have.
You are only an actor if you absolutely love it and can not do anything else. Starving for your art is great in your 20s, but it's not so great at 35. It has to be absolute love. You can't worry about being a movie star or anything else. Just love. That's it.
I'm not motivated by money or fame. I'm more driven by the electricity of creativity. The idea of being one of the legends that inspired me, being like Tupac.
And I guess I'm a kid at heart in that when I go for entertainment, I want to be totally transported. I want to go somewhere else; I want to encounter different things, different beings, different universes. And so I love that aspect of being able to play those things in both 'True Blood' and in 'American Horror Story.'
Ferraris are art, but they love being driven.
There are three big things going for The Scorpio Races: first, it is set on a beautiful but wild island in the middle of the cold Atlantic Ocean. That would've seduced me as a teen reader. Second, It is full of beautiful but killer horses being trained for a dangerous race. Actually, that would've seduced me as a teen reader as well. At third it involves a very repressed love story with a very Mr. Darcy-like love interest.
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