A Quote by Lauren Graham
While I very much wanted to be in a relationship, I didn't want to be in the wrong one.
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Basically, I want that relationship where we have that love. I love her so much, and she loves me so much that it's just - you want that relationship where you look into the girl's eyes, and you know that she's everything you've ever wanted. When I find that, I'm going to get it!
While I have always had a good relationship with my father, much of the time it has been a very limited relationship until I was older. So you can't really give him credit or blame for how I turned out.
All I want is all what my mother wanted for me when she raised me - to be happy. For that, I don't need to be in a relationship. I don't need to have a certain level of respect. I just want to care very much about what I do and be kind to everyone in the process. It's important that I can feel that. That's happiness.
You've got to remember the Cold War was a very real thing then, so the relationship with the United States was very, very important. As was the relationship that I was developing with China: that was something I did very much. And they weren't conflicting things.
There is one thing that very reliably try to trumps the food supply and that is food demand. At the end of the day, the business of business is business and they are just trying to keep the customers satisfied, it depends what we want. The problem in our current mess is we want all the wrong stuff. Why do we want the wrong stuff? Because taste buds are very malleable little fellows. They learn to like what they know. We're bathing our taste buds in too much sugar, too much salt, too much processed food all day long. That's what they know and crave.
There is a big difference between thinking: I'm in a relationship and something's wrong. Therefore something must be wrong with the relationship. and thinking I'm in a relationship and we've got problems. This is evidence that you are different than me.
My mum wants me to get married - and have children, of course. She's met Gaga; we've been dating a while. We're in a committed relationship, and I'm really happy in my relationship. I'm a very lucky guy. As far as having more of a domestic life and settling down into my relationship, we have to see what happens.
I spent a lot of my twenties wanting a maid, really. I thought I wanted a relationship, but I just wanted somebody to fix and nurse me, and I'd take her hostage for six months. When you're 23, 24, you want to be in a relationship because they look brilliant - you've heard all the songs about it and seen all the movies and it looks great.
I didn't really want to write about music very much in 'High Fidelity.' I wanted to write about the relationship stuff, and the music stuff is kind of a bit of fun on top and something to frame it with.
I've always known that I wanted to be different. I wanted to stand out, so my gear is very elaborate, very blingy, very loud, because I want people to notice me, want to look like me. The Boss necklace, the ring. I want everything big.
I come from a highly moral family. I was very much taught what was right and wrong, and in my perception of things, I did something that was very wrong. To know that, and to then be so publicly exposed, was very hard.
Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.
There's always the syndrome of the parent-child relationship: when someone has known you since you were very young, it doesn't matter how much more independent, how much older or more mature you get - there is still that element, the dynamic of the relationship that is very hard to successfully transform, and that has nothing to do with the music-making, in the end.
The relationship I have with Bethann [Hardison], it's so unique. It's based on trust. But most importantly, Bethann is the one who will call on me if I'm doing something wrong. That's a very specific relationship.
With While You Were Sleeping, it was so much fun and such a Cinderella story, that I didn't want to do another romantic comedy. I wanted to do the opposite.
If you're a woman, it's almost impossible to establish a relationship. You're too much for everybody. It's too much. The woman always has to play this role of being fragile and dependent. And if you're not, they're fascinated by you, but only for a little while. And then they want to change you and crush you. And then they leave.
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