A Quote by Lauren Greenfield

You have these relationships with people that you care about, but I also try to stick to my job as filmmaker and be fair and truthful about what I saw and my experience of the people, hopefully informed by a deep understanding of them.
I wanted to write about relationships. But I didn't feel I had the experience to sing about them in a deep way. Studying psychology helped me out in terms of my understanding. I still look through my old textbooks when I'm in need of inspiration.
Your agent or manager tells you. They go, "You're out. They're gonna get a new guy." But then I didn't feel bad. I didn't take it personally. Not that I'm competitive at all. But you have pride in that, you know? You want your ratings to be good. But now that I'm 62, I don't really care about the ratings. I don't care about the reviews. I care about the work, and I care about the people that I'm working with, and I try to make the experience for them and myself as good as it can be.
The great thing about fiction is you can talk about things without being didactic about them, but hopefully forge a connection with people and an understanding about a shared humanity that tells its own story.
I really care about people, and I would need someone to also genuinely value other human beings and want to be connected with people in the world and to know about other cultures. That might not be a high standard for someone else, but for me, it's really important to try and stick to that.
I'm not naive, I know that bad things happen, but most people do the right thing most of the time. Most people wake up and they try to do what's right for their relationships, whether it's marriage or family. They try to do what's right for their job. They try to make a better world for those around them, and that's what I want to write about.
I am very balanced. I care passionately about people and customers but also about the numbers, and hopefully that view brings something to the party.
What makes 'Hoop Dreams' such a powerful film, is that it carries a message that maybe we can do something about our problems in America, reflected in the resiliency and strength of those families that we portrayed. The film was where we really saw the characters that we care about, interwoven with a analysis that is trying to help the audience understand what is happening in these people's lives. And in what is happening, there is an understanding of the larger power relationships in the world.
People are going to say, ‘Well, it’s not very truthful.’ But a songwriter doesn’t care about what’s truthful. What he cares about is what should’ve happened, what could’ve happened. That’s its own kind of truth. It’s like people who read Shakespeare plays, but they never see a Shakespeare play. I think they just use his name.
Twitter's a great way to tell people across the world what I care about and, hopefully, motivate them to join me in furthering my causes. It's also a fantastic medium to hear the ideas and opinions of people I might not otherwise get to meet.
I try to be fair, and I try not to be cruel or mean when I'm interviewing someone. But you have to push a few buttons. When you're on a roll and you're making a person laugh, you can say things that are truthful about them, and then they'll laugh at them as well. Otherwise, it might just sound like you're attacking them.
I think of the medium as a people-to-people medium, not cameraman-to-people, not direction-to-people, not writers-to-people, but people-to-peopleYou can only involve an audience with people. You can't involve them with gimmicks, with sunsets, with hand-held cameras, zoom shots, or anything else. They couldn't care less about those things. But you give them something to worry about, some person they can worry about, and care about, and you've got them, you've got them involved.
I know people who try open relationships. People I really care about, they're fine with it. That's a personal decision.
Don't worry about this world; it is not broken. And don't worry about others. You worry more about them than they do. There are people waging war; there are people on the battlefield who are more alive than they've ever been before. Don't try to protect people from life; just let them have their experience while you focus upon your own experience.
We’re surrounded by anonymous, poorly made objects. It’s tempting to think it’s because the people who use them don’t care - just like the people who make them. But what we’ve shown is that people do care. It’s not just about aesthetics. They care about things that are thoughtfully conceived and well made. We make and sell a very, very large number of (hopefully) beautiful, well-made things. our success is a victory for purity, integrity - for giving a damn.
A world where people do not care about the quality of their experience is not a good world for Apple. A world where people care about those details and want to complain about them is the world where our values shine.
As artists, when you have people that care about what you do, I think you should care about those people who care about what you do, and give them really cool interactive experiences to make them feel appreciated.
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