A Quote by Lauren Groff

While writing, writers are living inside a character or characters, and when the book ekes into the world, writers are living inside the reader. That's more than connecting.
In terms of writing, I think what most fiction writers treasure more than anything is the feeling that they're living for the length of a book inside another person.
You're...writing for other writers to an extent-the dead writers whose work you admire, as well as the living writers you like to read.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
What's actually amazing is that, after a couple of years of living with characters and writing characters and talking about characters, as we sit in the writers room and break episodes, it strikes you, every once in awhile, that you're talking about a character that's played by the same actor, who you've been talking about forever. We talk about a character dying, so you get emotional, and then you realize, "Oh, but wait, that actor is still on the show."
Real writers-that is, capital W Writers-rarely make much money. Their biggest reward is the occasional reader's response.... Commentators-in-print voicing big fat opinions-you might call us small w writers-get considerably more feedback than Writers. The letters I personally find most flattering are not the very rare ones that speak well of my editorials, but the occasional reader who wants to know who writes them. I always happily assume the letter-writers is implying that the editorials are so good that I couldn't have written them myself.
I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write.
After all everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, is is separate from themselves, it is not real but it is really there.
I was a big reader as a kid, but it was 'Charlotte's Web' that showed me you could feel as if you were actually living inside a book.
Because all writers are human beings first and writers second, my guess is that any advice for living with a writer is about the same as advice for living with a plumber or a refrigerator salesperson.
Writers build castles in the air, the reader lives inside, and the publisher inns the rent.
I don't think there is a need of the categorization 'woman writing'. I think in some sense writers lost their gender when they walk into the world of words; I believe that writers ought to be able to slip under the skins of both men and women. Only then will the writing and the characters have credibility and strength.
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
Some of my good friends who were writers disappeared. Others are still inside Syria and there are others who are refugees. I'm worried about those who disappeared. I don't know anything about them now. They just disappeared like that after the war started, while I was living in the United States.
I felt like I was building this world brick by brick with each layer of instrumentation I was doing. I could see it growing in some ways. I feel like most writers feel the same way. You're almost living inside of this magic world that you're building.
I have a total responsibility to the reader. The reader has to trust me and never feel betrayed. There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers. And it's appropriate, because the writer is getting paid and the reader isn't.
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