A Quote by Lauren Groff

It's not easy to make friends when you're an adult writer outside of academia, especially when you work alone in a little room for twelve hours a day, and so I wrote toward what I most longed for.
If I'm going to work for twelve hours a day, I want twelve hours of awesomeness!
I get up at 7:30 and work four hours a day. Nine to twelve in the morning, five to six in the evening. Businessmen would achieve better results if they studied human metabolism. No one works well eight hours a day. No one ought to work more than four hours.
By working faithfully eight hours a day you may eventually get to be boss and work twelve hours a day.
I like to work half a day. I don't care of it's the first twelve hours or the second twelve hurs. I just put in my half every day. It keeps me out of trouble.
Most of the time is with the family. Most of the time, is all the time. When we work it's a very intensive chunk of time. We work for 12 hours a day, 14 hours a day is common. And we'll do that for a few months and then we get to relax a little bit.
Being a writer means I sit in a dark (and pretty dank) room off my garage for many hours a day, and in my wallowing moments I can feel as if I'm already on the outside of society, peering wistfully in.
To be successful, all you have to do is work half-days; you can work the first twelve hours or the second twelve hours.
For a writer, New York works well. Literary work is very elitist. I worked two hours a day, maximum, and the time after that was very agreeable. I walked a lot with pleasure. Those two hours augmented the day. I wrote more here than in Paris, an entire chapter of a new novel.
When I was young, I worked for a capitalist twelve hours a day and I was always tired. Now I work for myself twenty hours a day and I never get tired
When I meet people I try to make a joke out of my occupation, explaining that what I do all day is sit alone in a darkened room, flicking through some pages, jumping on a treadmill now and then. I keep my serious work as a writer private, but that doesn't mean it's not serious work - quite the opposite.
For a writer, mail is not just a collection of bills and letters and offers to subscribe to Sports Illustrated. It's an umbilical cord, a connection to the outside world, the giver of pleasure and pain. It shapes the day, is the moment, inexorable as the tide, toward which all the hours rise and fall.
I think writing is a part-time career, because otherwise you get a little stale, maybe even self-indulgent, when you have to fill the hours with sentences. I don't think, if I wrote 12 hours a day, my work would be much better.
In spite of being professionally gregarious, in my nonpaid hours I'm a bit of a hermit. After being around a crew of fifty people for twelve hours a day on a film set, I really like my alone time, and as always, I abhor small talk.
I work 15 hours a day and still go to the gym. Most people work eight hours a day and say, 'I haven't got time to work out.'
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
All my adult life, if I didn't have several hours a day to sit in a room by myself, I would get antsy and irritable.
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