A Quote by Lauren Groff

I see history as really cyclical in terms of the intense idealism, and the desire to create a better life outside of societal norms. — © Lauren Groff
I see history as really cyclical in terms of the intense idealism, and the desire to create a better life outside of societal norms.
I see history as really cyclical in terms of the intense idealism and the desire to create a better life outside of societal norms. In America, possibly because of whatever the American dream is, this happens over and over again. These eras repeat.
Everything is cyclical. Historical eras go through times of intense cynicism, broken by periods of intense idealism.
I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
Drag has always been very political and challenging of societal norms and other aspects of life.
History teaches that when valuations are extreme, "mean reversion," a move towards historical norms, is likely. Once value stocks turn, the recovery can be fast and intense.
I am an actor so I have to do my work and going beyond societal norms.
Bumble is about equality. We are reverse-engineering traditional societal norms.
In some ways, the documentary form is a kind of trap and so is societal norms.
Beauty might prevail in the very short term, but in the medium and longer terms, cultural norms - primarily those values and norms influenced by family - were more important.
When we say we have patterns, there is a cyclical movement to everything. Our psychological and emotional processes also have become cyclical largely because of a very strong attachment and involvement with physical process, and physical process has to be cyclical; only then we exist. Without out cyclical movement there'll be no physical existence.
Without being overtly political about it, if people with severe disabilities are calculated in societal terms purely as a monetised unit, in terms of how much they cost in terms of care, you lose an important sense of who they are and the effect they have.
The constancies and equivalences adumbrated work havoc with such settled topical blocks as myth and philosophy, natural reason and revelation, philosophy and religion, or the Orient with its cyclical time and Christianity with its linear history. And what is modem about the modem mind, one may ask, if Hegel, Comte, or Marx, in order to create an image of history that will support their ideological imperialism, still use the same techniques for distorting the reality of history as their Sumerian predecessors?
To run away from life and desire is impossible because you are life and you have desire. Accept that this is part of your physical condition and see that these aspects are not really indigenous to what you are.
Too often, our societal norms still set up a false choice between parenting and professionalism.
The fact that you couldn't see Alfred Hitchcock's first film The Mountain Eagle, or that you couldn't see so many of F.W. Murnau's masterpieces, or that you couldn't see so many of Oscar Micheaux's really intriguing race melodramas, made with fierce independent spirit against all odds in '20s and '30s America. That stuff haunted me. They really did bring to life a sense of 20th Century history: cultural history, pop history, gender politics and race politics, socio economic history, all that stuff. It was bracing and instructive.
I strongly believe that love as an emotion is sufficient for a girl and a boy to be together, and these societal norms like caste, creed or religion are all man-made.
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