A Quote by Lauren Jauregui

I do feel like the blogs that I follow share an aesthetic and draw a lot from '90s influences. — © Lauren Jauregui
I do feel like the blogs that I follow share an aesthetic and draw a lot from '90s influences.
It's the same argument people say about the blogs. The blogs are responsible. No, they're not. The blogs are like anything else. You judge each one based on its own veracity and intelligence and all of that.
I feel like I have an affiliation with the '90s. I feel like a lot of things going on in fashion and pop culture were loud and outlandish.
I don't like a lot of feathers and frills. I like a clean aesthetic, a Calvin Klein aesthetic.
I was a bit shut down by a lot of the snarkiness and biliousness in some of the poetry blogs. I was tired of aesthetic wars that weren't productive and were becoming mean-spirited. I was probably overworked as well, so I stopped reading and writing for about a year.
Google AdWords help with targeting people. Social media makes it easy to find people. A lot of people write blogs as a hobby. Others do it to make money. Instead of advertising on a blog, do a revenue share where you give them a 10-percent share for the business you receive.
I feel like the one insight that's extremely comforting to me about the world is that we all share the same pool of emotion that we draw from.
I also spend a lot of time on political blogs, and music blogs getting things for my radio show.
I like to mix influences from different eras, like maybe '70s bell-bottoms, something fun from the '80s, or a bit of '90s grunge.
I feel like a lot of my aesthetic was in response to feeling the awfulness and cheapness of that [ the 70'th].
That became my aesthetic - a very Chekhovian, American realist aesthetic in the tradition of Raymond Carver, Richard Ford, and Tobias Wolff. The perfectible, realist story that had these somewhat articulate characters, a lot of silence, a lot of obscured suffering, a lot of manliness, a lot of drinking, a lot of divorces. As my writing went on, I shed a lot of those elements.
I draw on a lot of cinematic influences like Ingmar Bergman and Wim Wenders, artists who let a story take its time. Comics are a visual medium, and visuals should be allowed to tell some of that story.
Black metal - especially from the '90s - contains a certain production aesthetic that keys you into the emotive content. You feel it more intimately than, say, technical death metal, where everything is produced super-precisely.
Marathoning is a metaphor for life, so there are a lot of parallels you can draw. I tell people to follow your dream, follow your heart, follow your passion, run your own race and believe in yourself. I think anybody who wants to succeed has to have passion. My love for this sport, you can't instill it in someone else.
You'd hope that no writing about music could supersede the music itself. But I do think that blogs mirror the way that we are listening. It comes at you fast and it's timely and then five minutes later we're on to something else. It caters to our desire for instant gratification. And I think blogs also have fluidity that's exciting. You have a lot of real enthusiastic music fans for the most part that are writing sometimes for a large audience, and I think certain blogs have a little too much power over what someone likes or doesn't like.
Half the shows on Comedy Central are just multi-cam blue sets, and they kind of look like game shows from the '90s. It's like, 'Why do such a bland corporate aesthetic when the sky's the limit with what you can do?'
So we draw a picture of what we want as a team and will follow that - understanding that sometimes you might have to do a new wall or the kitchen is not like that and you have to change it. But the idea is to follow the plan.
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