A Quote by Lauren Jauregui
I feel like all four of us are really powerful in our messages, what we speak about, and what we are about.
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It's not necessarily a church theme and it's not really about church. I like my album themes to be metaphors because it gives me the freedom to speak about something else that's going on in my life, so the Born Sinner thing is not about church, it's not even about religion. It's using that as canvas to get other messages across and that's what the album will be.
Stories? We all spend our lives telling them, about this, about that, about people … But some? Some stories are so good we wish they’d never end. They’re so gripping that we’ll go without sleep just to see a little bit more. Some stories bring us laughter and sometimes they bring us tears … but isn’t that what a great story does? Makes you feel? Stories that are so powerful … they really are with us forever.
Cats make one of the most satisfying sounds in the world: they purr. [...] Almost all cats make us feel good about ourselves because they let us know they feel good about us, about themselves, and about our relationship with them. A purring cat is a form of high praise, like a gold star on a test paper. It is a reinforcement of soemthing we would all like to believe about ourselves -- that we are nice.
Our human experience, like the World War II Ultra code-breaking machine, catches the heavy traffic of messages about what we really do and what is done to us every day.
North Korean defectors who speak out against the regime always feel nervous. We never know what the North Korean government is planning. It's really difficult for us to show our faces and speak out, but we feel obligated to do something to inform people about the ongoing tragedy inside North Korea.
A citizen walking through the airport today is bombarded with 1984-style propaganda messages that are designed to make us fear some amorphous threat and also be suspicious of others. The government designs these messages to make us feel dependent and heavily lorded over in every aspect of our lives. These messages are becoming ever more pervasive, hitting us even in grocery stores when we are shopping.
People talk about you won four national championships. Well, I feel like we've had good enough teams to win eight. So I feel like we failed four times. I feel like I failed four times.
If I could, I'd go city by city, county by county, town by town, and talk to people to explain to them what immigration is really about - that this is not about me, this is not about us, this is not about us taking something from you. This is not about us being a threat to you. This is not about Democrat or Republican, and this is not really about border security. But in some ways our politics, and in many ways our politicians, have gotten in the way.
I think it's perfectly possible for us to stay outside of power politics, or parliamentary politics, and speak about things like the American hegemony in the region or speak about the unjust war on terror that's been brought to our borders.
I've tried to be clear about who I am, and be as open as possible with the press, and speak extremely candidly and openly about stuff. I feel like in almost every instance, it's completely backfired, and I feel like people have all these kind of absurd ideas about the way I think about myself, and my own self-identity.
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
These days, more than any other time, we are worried about our personal life, our private life. When we talk about our private life, it means our home, our body even. It seems that when we want to have calmness in this world, we make a wall around us. This gives us a very calm environment, and when we feel that somebody is intruding into that, it makes us very angry and we feel we have to do something about it.
Even if fathers are more benignly helpful, and even if they spend time with us teaching us what they know, rarely do they tell uswhat they feel. They stand apart emotionally: strong perhaps, maybe caring in a nonverbal, implicit way; but their internal world remains mysterious, unseen, "What are they really like?" we ask ourselves. "What do they feel about us, about the world, about themselves?
When people say stuff to us casually in reviews, if they write about it in a condescending way with really gendered language, that's not really about me. It used to hurt my feelings more than it does now. That's not about us as a band or me as a person. That's about how you feel about women, and that's a societal thing.
I feel like Americans don't really have any idea of what's going on in the world, especially us Africans. I feel like when they think about Africans, they think about just us running around with lions and tigers and all those other animals.
The reason that I keep writing is that all my most powerful messages about the fates of wild places that I care about need to have words as well as images
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