A Quote by Lauren Kate

When I sit down to write a scene, I have a plan in mind, and I'm thrilled when a character disregards my goals and takes the story to a place I hadn't imagined. — © Lauren Kate
When I sit down to write a scene, I have a plan in mind, and I'm thrilled when a character disregards my goals and takes the story to a place I hadn't imagined.
I don't have a plan for a story when I sit down to write. I would get quite bored carrying it out.
I don't sit down to write a funny story. Every single thing I sit down to write is meant to be sad.
Sit down and write it down with a pen and then make up your mind you are going to do it. Don't spend any time thinking of why you can't. The fun is not in getting it, the fun is in growing. Goals are to help us grow, goals are to help us get. The getting is a site benefit; the growth is the real benefit.
Characters simply come and find me. They sit down, I offer them a coffee. They tell me their story and then they almost always leave. When a character, after drinking some coffee and briefly telling her story, wants dinner and then a place to sleep and then breakfast and so on, for me the time has come to write the novel.
I won't usually just sit down to write. I'd have done it in my head already. I visualise a story just like a film strip running in my head. I guess that is also a reason why my books have such a visual element to them. And it's what I tell young writers: plan your story ahead.
The worst kind of censorship is the kind that takes place in your own mind before you sit down to a typewriter.
I sit and I write automatically. I don't really try to write. My subconscious mind takes over and writes the songs for me. Songs come very easily for me. When I'm inspired, it takes me 20 minutes to write a song.
My fiction is based on both my own experience transformed, altered, juggled and changed to suit the demands of composition, character, and plot. If I see a theme emerging in a story I will likely take it up and develop it. I hardly ever set out with a conscious plan and if I do the story usually takes over and takes me where it wants to go.
Write your goals down in detail and read your list of goals every day. Some goals may entail a list of shorter goals. Losing a lot of weight, for example, should include mini-goals, such as 10-pound milestones. This will keep your subconscious mind focused on what you want step by step.
I don't sit down to write a country song. I don't sit down to write a rap song. I just sit down to write a song, you know what I mean? And I try to make that song the best it can be.
If only you’d remember before ever you sit down to write that you’ve been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart’s choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won’t even underline that. It’s too important to be underlined.
First, I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it. We do not write in order to be understood; we write in order to understand.
When you sit down to write a film, you direct it in your head. If you are writing a scene, you are watching the scene. And maybe it's different when you are writing a novel because you are thinking of it in terms of being read. But films are only consumed one way - through the eyes and the ears.
When a book is read an irrevocable thing happens — a murder, followed by an imposture. The story in the mind murders the story on the page, and takes its place.
I might see something on TV and get inspired to write about it. I can't sit down and plan to write. It has to come to me in my head like someone telling me the words.
If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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