A Quote by Lauren Lapkus

I love improvising on the spot. I like that pressure. — © Lauren Lapkus
I love improvising on the spot. I like that pressure.
I wouldn't want the pressure of a Six Feet Under or the pressure of improvising like Curb Your Enthusiasm.
My biggest interest of being the No. 1 pick, obviously the pressure that comes along with that, I would love to have that pressure on my shoulders because I've always thrived in those situations, and I feel like Cleveland would be a great spot to be.
A puppet that starts to improvise badly is almost funnier than the puppet that's improvising well. So the show gets better when the improvising is really good, but also the show can also sometimes get better when the improvising sort of goes a little wrong and that's sort of a blessing to improvising with puppets.
When you improvise on the spot, people are very reluctant to have soft moments or quiet moments or sad moments because they're trying to fill up the spaces. So they always go towards, "How come you're late?! You're supposed to have my shirt ready! You call this a dry cleaner?!" That's what happens. That's why improvising on the spot gets very dicey.
I don't feel pressure in a negative way. I like pressure. I feel excitement and calm at the same time. No pressure, no diamonds. I want pressure: pressure creates drama, creates emotion.
A lot of people love the idea of improvising but are terrified of it, so I tried to make a book that was not a chef's book about improvising but a real home cook's book with a real home cook's pantry, supermarket ingredients, that sort of thing.
People talk about pressure in football, but I don't think pressure should always affect you in a bad way. I love games under pressure.
I love what I do: there is no pressure. The music doesn't like pressure.
I love being onstage. I love the relationship with the audience. I love the letting go, the sense of discovery, the improvising.
In our town there is a secret spot where you can still see the stars at night, believe it or not. It is the only spot like that left, unclouded by the dwindling skyscrapers rising nearby. It is a good place to go to walk and talk in whispers. Following the little hill that rises from the park to a small clearing which overlooks the statue of the armless general on his bronze steed, most of us later remember this spot as the first place we knew we might be in love.
Improvising is wonderful. But, the thing is that you cannot improvise unless you know exactly what you're doing. That's a kind of paradoxical thing about improvising.
I like pressure. Pressure doesn't make me crack. It's enabling. I eat pressure, and there might be times when I get a bad feeling in my gut that this might be too much, but you feel pressure when you're not doing something, you know?
I do a little improv in my shows. Kind of like our movie, I'll do beats and ideas of dialogue, but I think there's less pressure because it's a live show. If you mess up, the audience laughs because we don't really know what we're doing. But as far as shooting, that was very scary, trying to make a point and drive the film. It definitely helped improvising.
It's what makes everybody better, that pressure for a spot and competing.
When you work on a computer in the studio, it's almost like fossilizing on the spot, you know, the idea of getting solidified on the spot, like a snowflake might create branches by accumulation.
A return to the NCAA is the expectation... I think that's a good pressure. I'd rather that pressure to the other way. ... I like a little pressure on me.
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