A Quote by Lauren Lapkus
You have to go as hard as you possibly can, or it's going to be weak. Whenever I find myself not committing fully to a character, it's not as funny. It doesn't have that clear point of view, and you find yourself wandering all over the place, whereas committed characters make strong choices that are clear to the audience.
Related Quotes
I'm just going to be the best version of me that I could possibly be and be as funny as I possibly can. I've just got to be myself and hopefully people will find me. And my audience did find me.
I find myself speaking through the other characters, putting ideas in their voices and heads. Writing almost becomes a splitting of myself into multiple personalities. But I don't write to make an argument on behalf of any of the characters, or to prove anything about a character. I think that's important that I be serving the story first and not my own point of view.
The physical element of a role is something I'm super familiar with, and I love it. I've definitely made the transition into acting over doubling, just because I needed to make it clear to myself, so that I fully committed.
Some kind of clutter is difficult - letting go of things with sentimental value, sifting through papers - but some clutter I find very refreshing to clear. I drive my daughters nuts because I'm always wandering into their rooms to clear clutter.
It's hard to make a movie that is both funny and emotional, that has something to say and is clear to the audience.
The right wing can use anything, and we have to make it very clear and I make it very clear that my love for the president in terms of protecting him and respecting him but also correcting, now all three of those are crucial, and if I can do all three, then the right wing can use it whatever they want, and I'm just clear where I stand, over against them but also critical when the president leans toward the strong, rather than the weak.
What I look for in a director is a strong point of view, a clear vision, and an ability to multitask and make decisions on the fly.
When we are clear enough about our own point of view, we can find help in the methods of Eastern Christianity or in the ways of the Far East, perhaps by consulting the I Ching or through mandala contemplation; we may even find help in the ways of shamanism or Islam. If we are clear about where we stand and the direction we must take, such methods may be useful in order to follow our own way to the end.
There have been times I thought that when I got a certain point in the story, a certain character was going to do a certain thing, only to get to that point and have the character make clear that he or she doesn't want to do that at all. That long phone conversation I thought the character was going to have? He hangs up the phone before the other person answers, and twenty pages of dialog I had half written in my head go out the window.
One of the things that's important for anybody adapting source material that is primarily a male buddy picture is to find ways to latch on to strong female characters in the piece and bring them to the forefront and celebrate their point of view alongside the men; otherwise, it becomes a sausage party, and it's a singular point of view.
What intrigued me about him was his intelligence, his humor. I'd been all over the world. I had started a career. At that point, I had sort of committed myself to not committing. I didn't want to have to raise a husband, but he was so sophisticated and so funny.
No amount of data will tell you if a feature should be in the product, because it doesn't exist. You need to have a very clear leader with a clear point of view... otherwise, you get a mishmash of features and stuff that doesn't make a lot of sense.
Have fun, entertain yourself with your work, make yourself laugh and cry with your own stories, make yourself shiver in suspense along with your characters. If you can do that, then you will most likely find a large audience; but even if a large audience is never found, you'll have a happy life.
I've always kind of gravitated toward characters who are a bit distant from the narrator or the point-of-view characters, so that's kind of important to me, to set up a different character who would be the point-of-view character for the story.
You relate to a character and you find that character within yourself. It's all parts of me. I don't leave characters behind. I just let them go.
As the audience, I always love to get to a point where, surprisingly, I find myself in a secret friendship allegiance with the characters that are unexpected.
Related Authors
Angelina Jolie Quotes
American
Actress
Carrie Fisher Quotes
American
Actress
Cate Blanchett Quotes
Australian
Actress
Drew Barrymore Quotes
American
Actress
Emma Watson Quotes
British
Actress
Jane Fonda Quotes
American
Actress
Jennifer Aniston Quotes
American
Actress
Kate Winslet Quotes
English
Actress
Kristen Stewart Quotes
American
Actress
Lena Dunham Quotes
American
Actress
Marilyn Monroe Quotes
American
Actress
Meryl Streep Quotes
American
Actress
Mindy Kaling Quotes
American
Actress
Sandra Bullock Quotes
American
Actress
Selena Gomez Quotes
American
Actress
Viola Davis Quotes
American
Actress