A Quote by Lauren Lapkus

That's what's so great, I get to play any character in the world. And I think that's one of the things that makes doing 'Comedy Bang Bang' or other improv podcasts so fun, as well as my own, is that you can really explore a character deeply for a long period of time that is nothing like yourself.
Doing 'Comedy Bang! Bang!,' you have to play at the top of your abilities, so it is so fun to get that opportunity. I've grown a lot as a performer just working with those guys.
When I go in to 'Comedy Bang Bang,' I'll go in most of the time with some beats of where we're going with the idea. Everything else is improvised. Nothing is scripted. A lot of times I'll go in there with nothing and it's just conversation with the character.
Bang! Bang! Bang! Sorry Mr. Yipes, sir, she won't budge!' Put your back into it, man, give it all you've got!' Bang! Bang! Bang!
It really was a unique experience to me to have a television show, Comedy Bang! Bang!, that I really cared about so much, and to know that it was the end, and know that that was the ending of it. We had a wrap party, and we thanked everybody. You don't get that a lot, especially in comedy.
My career has been defined, in a good way, on the option route. And a lot of times, it's a bang-bang play. It's a great play because it can convert first downs. But at the same time, you don't get a lot of those opportunities in the open field.
I’m always the same. Whether I’m solo or with Big Bang, the one thing I have to do is sing and dance. I started solo activities with the things I did well with Big Bang, and I’ll show the things I learned while doing solo through Big Bang. Wherever I go and whatever I do, I am Taeyang and Dong Young Bae.
After doing films like 'Krrish,' 'Bang Bang,' and 'Mohenjo Daro,' 'Kaabil' is one film where you can't lie at all. You can't be a hero. You have to be real. You have to be yourself. So that was a challenge.
There is nothing like being able to develop a three-dimensional character over a long period of time. Sometimes you aren't able to fully portray a character because you only have a couple of scenes to do it in, and you don't get the full life and background of that character.
When people can't abide things as they are, when they can't abide the present, they do one of two things ... either they ... either they turn to a contemplation of the past ... or they set about to ... alter the future. And when you want to change something ... YOU BANG! BANG! BANG! BANG!
I think there's something really positive about getting to explore a character for a long time on a TV show and live with that character and live with the choices they make, but it's also really great to step in.
Hooray!" said the Chief of the Army. "Let's blow everyone up! Bang-bang! Bang-bang!
I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.
Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.
In television, the cuts are so quick: bang-bang-bang-bang-bang! I want to shoot two people and sit there for eight minutes and watch them. I've got a lot to learn about television and about the best ways to tell stories directorially in that medium.
I think it's a bit short-sighted to play any character and not explore, in some respects, the way they act when things get really bad.
I think it's really great to be able to stick with a character for a long period of time. It's not like you have one shot, and that's it.
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