A Quote by Lauren Lapkus
For me, what really excites me about my characters and what pushes their core is the kind of dark, sad side of life.
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I work on a TV show I love, I have the opportunity to do movies with actors I respect, and I'm in love with the man I want to spend the rest of my life with, who pushes me and excites me. There's this fighter in me that kind of needs to be put to rest a little bit. I don't need to be so tough to protect myself.
I'm not a pretty princess, and I'm aware of that, so I like music that is really intense, really bold, and characters that in a way almost have a dark side and are kind of evil because, for me, that's when I feel my strongest and fiercest, when I'm not necessarily the good girl.
I have lows, you know, everybody does ... but I kind of know how to handle it. I like to let myself wallow in it. I enforce it with terribly sad music, and it kind of pushes me through to the other side eventually, and I always know it's going to pass.
To me, and I'm sure for other writers, too, characters come back and they relive again, but what about those characters who only live for a page or two? Or for five pages or 10 pages. I like to think they're still out there - still living - but for me they kind of die, too. It's kind of sad. I don't think about them anymore unless I give them life again.
I love the whole kind of notion of transformation for me is (what) excites me about not only acting, but storytelling. I love, I love that notion of a slightly larger-than-life artistic truth, you know, magnifying real emotional truth (or) finding something about human condition (which), you wouldn't necessarily think you can learn from characters such as Kong or Gollum, but actually they are, you know, these huge amplifications of a human psyche and I suppose those kind of roles have always attracted me definitely.
I work on a TV show I love, I have the opportunity to do movies with actors I respect, and I'm in love with the man I want to spend the rest of my life with, who pushes me and excites me.
I think the biggest misconception about me is people really don't know who I really am. They see the party side of me, they see the crazy side of me. But I also have a laid-back side. You know, I'm chill, down to earth. If you want to grab a cup of coffee and just talk about life, I can do that.
The challenge excites me. Being hesitant to approach or audition for things pushes me out of my comfort zone.
There's lots of sides. The CD doesn't really create a mood. It creates more of a journey. It starts out with a simple bluegrass tune, sort of melancholy and sad, like "Lovin' and Lyin'," then it's sexy and there's some funny songs in there where I'm talking, like "Designated Drunk." There's a humor side, a sexy side, but there's also a pretty sad side, the country side. It's the backwards side of me!
I think we all have a kind of dark side, and that's what keeps life - and characters - interesting. That's one of the things that I'm drawn to write about again and again, the secrets we keep and how they shape us.
Humanizing good people is kind of boring and I don't really see the value in it... humanizing tricky characters is exhilarating, and making audience films out of indie subjects excites me.
To me, most filmmaking is a kind of visualization of how people are. The dark, the light, the absurdity of life, all the crazy things, you know? So all of the characters that I've made have been really close to my heart. I guess what I'm interested in is just visualizing a really three-dimensional picture of a person.
Watching a really good movie excites me, because it makes we want to get up off the couch and go shoot something and act in a scene. And music excites me because it puts me in a mind state, whatever that may be.
I wrote an episode for 'thirtysomething,' and a producer said, 'That's really good, but what is it about? What does it say about you? What questions are you asking yourself?' I had never thought about that. This comment changed who I was, because it made me look at my own soul, the dark corners in my soul, and accept that dark side.
I’m not sad, but the boys who are looking for sad girls always find me. I’m not a girl anymore and I’m not sad anymore. You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say ‘Wow, isn't he so terribly brave to love a girl who is so obviously sad?’ You think I’ll be the dark sky so you can be the star? I’ll swallow you whole.
George, who is out somewhere there in the dark, who is good to me - whom I revile, who can keep learning the games we play as quickly as I can change them. Who can make me happy and I do not wish to be happy. And yes, I do wish to be happy. George and Martha: Sad, sad, sad. Whom I will not forgive for having come to rest; for having seen me and having said: “Yes, this will do”. Who has made the hideous, the hurting, the insulting mistake of loving… me, and must be punished for it. George and Martha… Sad, sad, sad.
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