A Quote by Lauren London
I'm still young; I've had a couple things under my belt. I don't even think I've begun where I'm gonna be eventually. I really feel very much in the beginning of my journey. I feel very new.
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Fortunately, I'm very healthy, and my body is still intact. It hasn't aged very much, I feel like a very young 56. I exercise regularly, and when I do, I always learn new things about my body.
I was still very hopeful that much work lay ahead of me. Perhaps because much of what I had worked on or thought about had not yet been put into writing, I felt I still had things in reserve. Given this optimistic nature, I feel this way even now when I am past sixty.
I really struggled moving from New Zealand to the United States. I still have very strong ties to my home, and it took me a couple of years to feel settled in Los Angeles. Fortunately, I have a great group of friends and found the places where I enjoy spending my time. Finding beaches to get to made me feel much more plugged into the environment here.
My books have done extremely well, I know. But I don't honestly feel much different from when I began to write. I still think we have a long way to go. I suppose my name means more in Nigeria today than it did five years ago. But I feel the job that literature should do in our community has not even started. It's not yet part of the life of the nation. We are still at the beginning. It's a big beginning, because now we are catching the next generation in the schools. When I was their age, I had nothing to read that had any relevance to my own environment.
I feel that I can't do certain things that have sent to me, scripts, because I think that really - I've been June Cleaver for so many years, because we went back, you know, and we did - 20-year hiatus we had - and we went back and made 105 new ones. And so I really feel very strongly that there are certain things I won't do.
I think America is a new country. It is a young culture. The spirit of the opening of the West is still with the Americans. It's a very practical and individual-based kind of philosophy that had worked in America for a long time, had been very successful. And the spirit is very much there.
What we think is, in the adult person, very much a matter of what we allow ourselves to think, and what we feel is very much a matter of what we allow ourselves to feel. Moreover, what we think is very much a matter of what we wish and seek to think, and what we feel is very much a matter of what we wish and seek to feel. In short, the condition of our mind is very much a matter of the direction in which our will is set.
I think a band - even a band that's been around as long as the Rolling Stones - I think that's still the formula. You know you're gonna get those songs, and you don't mind sitting through the ones that you maybe don't know very well because you know they're not gonna let you down - they're not gonna mess with you. And I kind of feel the same way about the way I structure my shows.
I think a mentor gets a lot of satisfaction in a couple of ways. They're doing something constructive, so they feel good about that. And when they see the results of this, with the young people they're working with, it's very, very rewarding.
I had no idea how much music and singing really means to people, and in my own tiny way to be a part of that is very humbling and very sweet, and and I feel very honored. ... I have a great appreciation for this, in every ways and a new understanding, and I'm just as amazed as anyone else.
If I just wear something because I feel like myself and I'm comfortable, that's okay - and that goes even for more edgy things. But if I try too much, or if I even try, it doesn't work. It doesn't feel natural, and I feel very uncomfortable.
I really feel like because I had my son so young, I didn't want everyone's help. I think people felt entitled to give advice, so I'm always very sensitive to moms and letting them feel their way out.
My journey has been very nice and gradual and steady. And I've found that my development as a human is very much synchronized to my journey as an artist. It's felt very organic since the beginning. And every step allows me to grow a little more.
I'm very young and I'm trying to figure out who I am and that's exactly what Soji is going through which is why I feel really connected to her and so protective. It feels like me and starting this new, exciting journey of being in Picard.'
Even though I have so many things to figure out, I'm very much at peace. I don't feel like I'm closing the chapter on this phase of life - I feel like I'm closing the book and starting a new one.
The reason I feel bad for Steve Kloves is because he doesn't enjoy cutting things out. He's not sitting there with scissors, just laughing maniacally, going, "Ahahaha." He doesn't like doing it. The stories mean so much to him. But it had to go. And David kept saying, "We're gonna try, we're gonna try, we're gonna try" all the way into the shoot until the very last days, when he said, "Sorry, it's just not gonna work."
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