A Quote by Lauren Mayberry
I've definitely read interviews with people where they've explained exactly what they wrote something about and I've been like: "Oh no, I was thinking that was a really beautiful love song or a really sad thing."
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Those situations were just taking over my entire life. It was fun to write in a way, because it helped me take a really bad situation and a really sad situation and make beautiful songs out of them. When I got half of the song written it was like, "Oh, this is great." It was like the one thing that was making me happy again.
Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
People don't really care about lyrics anymore. It's kinda really sad, like they'll listen to something musically and has a really cool beat down or something, that's great, that's good enough; but the message is the most important thing.
You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
'If I Should Love Again' - I was just so impressed with myself writing something like that. It wasn't a single and people didn't really know about it, but it's a beautiful song and that's part of what I'm loving.
I mean the idea of this is that it's a good thing for the public to hear interviews like this and that there will be an inevitable amount of fewer interviews if people that the press talks to wind up thinking, well, it's not really a CBS correspondent.
The song 'Innocent' is a song that I wrote about something that really, really emotionally impacted me.
The interesting thing about a song like 'Bulletproof Heart' - it was [originally] called 'Trans Am' - the interesting thing about the amalgamation of that song was that the song also lived within us, like we all got to live with the song and it was around for about a year before we recorded it again, so the song got to really transform, which you don't really get to do.
Sometimes we get sad about things and we don't like to tell other people that we are sad about them. We like to keep it a secret. Or sometimes, we are sad but we really don't know why we are sad, so we say we aren't sad but we really are.
I love people like Renée Zellweger who aren't afraid to look unattractive and really put themselves into a character role and to really be an actress instead of just thinking "Am I on-screen pouting and looking beautiful?" because that's not really what it's about.
'Sparkle' fell into my lap. I had heard a little bit about it, that it was being redone in early 2011. I was just kind of like, 'Oh, that would be really cool,' and not really thinking too much about it, and then it came through my agency. I read it, I fell in love with the script and I went in to audition.
Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.
I wrote a cheesy love song - called "Tender Torture". I guess it's more of a song about being away from someone that you love. It's pretty strange. It's sincere, I guess. It's actually something that I really felt.
I cry all the time. It's more like when didn't you cry. My friends are like, 'Oh God, she's sobbing again.' I cry if I'm happy, sad, normal... What really gets me is when I read a sad story about a child in the paper, especially at the moment with my hormones raging.
I wrote a song with Kara DioGuardi called 'What If,' and it's a really beautiful song. It's kind of like a rock ballad. There's a lot of guitars and drums in it.
Everyone has their own experiences with song. It means one thing to me and it means something entirely different to somebody else. I have a song called 'Apple Cherry' which is a song about unrequited love and to this couple in London, they fell in love to this song. The girl in the relationship called me and said she wanted to propose to her girlfriend could you sing 'Apple Cherry' while I do it? I was like 'Really? That's not a love song about getting together'.
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