A Quote by Lauren Mayberry

A good song to one person could just be something mediocre to somebody else. It's always strange thinking about how songs connect with people. — © Lauren Mayberry
A good song to one person could just be something mediocre to somebody else. It's always strange thinking about how songs connect with people.
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
I think that the song, the song "Stand By Me" is one of those songs that... and someone asked me, what was you thinking about or what was you feeling about? It's something that, songwriters just write songs. It's like an artist that paints. They paint what they feel. It's not, it's not about how many of these painting I'll sell it's just how they feel at the moment. And that's how I wrote "Stand By Me".
I always try to write a song, I never just want to write a record. Originally I was not writing songs for myself. ....And I can say this, most of the people who have recorded my songs are songwriters themselves. ... Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential. When you write a song, a song has longevity. ... So I wanted to sing inspirational music, and that's exactly how I approached it-only the words have been changed to declare my relationship with God. Songwriting is my gift from God.
I don't think there is any such thing as a song that is completely great or good. A lot of songs becomes massive hits that are just mediocre, and other times there are incredible songs that never get anywhere and you always wonder why.
Sometimes something opens up in your brain as I'm writing, thinking about the song, and it's like a whirlwind. It all comes together and I could hear what I wanted the songs to sound like, I just didn't know how to express it.
I always felt good about myself. I was just an average person. I always felt I could do anything anyone else could. If an average person makes up their mind to do something, they can.
I have a repertoire of songs that I'm proud of, that I've written for my own band. When I do a cover, something that somebody else has written, I think about it very carefully before I sing that song. I have to really get behind it and understand it and like it. And that's how I pick roles. I don't want to play just anything.
You've got to concentrate on the business of entertaining and writing songs. Always think different from the next person. Don't ever do a song as you heard somebody else do it.
With 'More Than Words,' we wrote that, so we are that. I'm just happy people can connect with any of our songs. If that song opened the floodgates for us to be able to tour the world over and over, how could I be unhappy with that?
The best thing you can do for a song is to hear it on the radio and to imagine what it could mean to you and then kinda forget the words. Just imagine how you felt when you heard it, if it was one of your songs. If it became one of your songs. If it meant whatever it meant for you and as soon as you see the visual, you get a rapid eye movement relationship with the song instead of an imaginative one. I think that can be dangerous because I don't think I'd want to be listening to a song on the radio and thinking about the video. Whatever that one interpretation was
A DJ can't just play one song. It's about playing a set, or how you connect songs in those two hours, and where you place them.
The time I spent thinking about how I was better than somebody else or worrying about somebody else's attitude was time I could put to better use.
There are always meaningful songs for somebody. People are doing their courting, people are finding their wives, people are making babies, people are washing their dishes, people are getting through the day, with songs that we may find insignificant. But their significance is affirmed by others. There’s always someone affirming the significance of a song by taking a woman into his arms or by getting through the night. That’s what dignifies the song. Songs don’t dignify human activity. Human activity dignifies the song.
When you're a creative person, there are just times when you're not listening. You know, I could be looking right at you and thinking about something else.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
Beyond hoping that someone will like one of my songs, I don't think about how a song will be received. I just hope that, when somebody hears one of my songs, they'll want to hear it again.
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