A Quote by Lauren Mayberry
I like the idea of a record being more than one thing emotionally - human beings go through so many emotions in one day - and I like those things sitting next to each other.
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I like the idea of a record being more than one thing emotionally - human beings go through so many emotions in one day, and I like those things sitting next to each other.
There is at the moment in the world a battle going on between those who are pursuing materialistic paths-globalizers of economic growth and those hell-bent on this 'big is better' idea-on the one hand, and on the other hand those who are dedicated to spiritual renewal, more small-scale development, more human scale, more sustainability, more crafts and arts. Where human beings are not just sold to companies and money and those kinds of things. Where human beings have a sacred path.
Among the many things that I loved about playing football was sitting around the locker room with teammates and poking fun at each other with sophomoric slams, each one more ridiculous than the next.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.
What greater weakness can there be than not to know what is the source of one's being, of one's life, of one's senses, of one's knowledge, and what is to be their end? What can be more deeply disheartening than to wonder whether one's soul is, perhaps, a material thing, like a stone or a reptile, corruptible like these base creatures? Is there not more strength and greatness of mind in admitting the idea of a being superior to all other beings, who has made them all and to whom all owe their existence; of a being supremely perfect, who is pure, who had no beginning and can have no ending, of whom our soul is the image and, so to speak, a portion, being a spiritual and immortal thing?
It's like everybody's sitting there and they have some kind of veil over their face, and they look at each other through this veil that makes them see each other through some stereotypical kind of viewpoint. If we're ever gonna collectively begin to grapple with the problems that we have collectively, we're gonna have to move back the veil and deal with each other on a more human level.
It's always more interesting when you're doing things with someone you like because you're much more open to suggesting things. Also, it's fun. It's like if you're sitting with your mates and you're bantering, or you're winding each other up and insulting each other in a playful way, but having fun with it.
The idea that somebody out there is that eager to hear my music in advance can only be a good thing. But growing up, I always liked that system where "release day" was a big thing, and for bands I really liked, I'd know that date. It'd be on my calendar, and I'd go to the record store that day. Sitting down and listening to the record for the first time was a real event. I wish it was still that way, but that's not the way the world works any more.
My hope has always been that each record could have its own audience. Of course, it's awesome to have a cumulative audience for more than one record, but I like the idea that there could be a record that an individual might like.
We've always had each other's backs in and out of competition. We support each other the most because we're the only ones that know what it's like to go through what we do, and so we can't be more thankful for each other. We're like sisters.
I just think that's the most amazing thing to be able to go to places like Japan and surf all day and then that night, play music. It's never been one of those things that's disrupted the flow of one and other, they've just enhanced one and other. It's incredible. It's beautiful that I found these two things that help each other out.
My songs examine and explore little specific emotions or situations or stories... They're kitchen table songs, like a conversation between me and one other person. It's almost like an alien has been sent to get emotional samples from human beings and put it all together on a record.
I do like to make people cringe. That discomfort, tension, embarrassment, pain - all of those things interest me, and not through some sort of masochistic or sadistic impulse. It illuminates what being a human being is. It taps into what it is to be human more incisively than stuff that's just very pedestrian.
Idea of holding each other’s hands at the Women’s March—it feels like we are being invited to do that every day. So many of us are feeling attacked, whether it’s a woman’s right to choose or headstones in a Jewish cemetery, immigrants being deported or banned. So many of us feel the need to protect and defend our democracy. And march toward the dream of being “We the people.” So that’s exciting, scary, and frustrating. We’re awake. We are awake more than ever before, and we have to stay awake.
This is the personal side of things. When I started going through some of those transitions in my mind, just as a human being versus as an artist, I tried to... Essentially, I did this thing called Landmark Forum. It's three days of mind-expanding, existential philosophy, like Jean-Paul Sartre for everyday living. In existential philosophy they talk about "Being and Nothingness," this idea of not putting meaning onto things, and that in that way you live more purely. In other words, we form reality from these stories that we make up about our lives.
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