A Quote by Lauren Mayberry
One guy came to a show and was like, 'You're going to be huge. I can see it in my mind's eye. We could make you the next Pixie Lott.' I did an internal scream and ran away.
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As a kid, I'd watch MTV and think how great it would be to have my own music videos on those shows. Now I turn on MTV and, along the bottom of the screen, it often reads, 'Coming next... Pixie Lott.' That's so strange that I can't even begin to make sense of it.
If you heard your lover scream in the next room and you ran in and saw his pinkie on the floor, in a small puddle of blood. You wouldn't rush to the pinkie and say, 'Darling, are you OK? ' No, you'd wrap your arms around his shoulders and worry about the pinkie later. The same holds true if you heard the scream, ran in and saw his hand or -god forbid- his whole arm. But suppose you hear your lover scream in the next room, and you run in and his head is on the floor next to his body. Which do you rush to and comfort first?
I did a lot of screaming in 'The Originals,' and I hurt my voice so badly that I said, 'I can't scream if you want me to be able to work for, like, the next three days.' So, what I usually do is that I scream once in the season, and we'll just use that scream, all throughout, or extend it, or do whatever we need to do.
You know, all is development. The principle is perpetually going on. First, there was nothing, then there was something; then-I forget the next-I think there were shells, then fishes; then we came-let me see-did we come next? Never mind that; we came at last. And at the next change there will be something very superior to us-something with wings. Ah! That's it: we were fishes, and I believe we shall be crows.
I want to be more like Pixie Lott. She works really hard but always manages to keep smiling. She never complains.
I'm not necessarily the guy that's going to get in your face and scream at you or anything like that. I'll say what I need to, but I like my actions to show what I'm about.
That's the real excellent scary part, that feeling, and that feeling won't come if the lady from next door is there and your mom won't ride the ride, because what brings on that feeling most is when your mom rides wedged in tight with you and your brother on nights like this, when your mom will scream the excellent scream, the scream that people you see in snatches on the boardwalk stop and stare for, the scream that stops the ride next door, the scream that tells us to our hearts the bolts have finally broken.
We were in New York, and we were performing at a morning show. This fan literally ran from that studio in the middle of New York City to our airport, which was very far away. That fan ran all the way there to see us, and we were so in awe of that guy.
I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
None of the chase scenes that I did had any opticals. We had to do all of that physically. The first thing you have to do is see it in your mind's eye. You have to envision it. Imagine someone knitting a sweater or a scarf. They either have a pattern in front of them, or they see a pattern in their mind's eye. Then it's one stitch at a time. That's what shooting a chase is like.
My very first show that I ever did was a show called 'Then Came You'. It became a huge hit - no, it didn't. But it was a sitcom with some great people involved, and the story was about an older woman and a younger guy. I was the older woman's best friend. I was 27 years old.
I saw a huge steam roller, It blotted out the sun. The people all lay down, lay down; They did not try to run. My love and I, we looked amazed Upon the gory mystery. "Lie down, lie down!" the people cried. "The great machine is history!" My love and I, we ran away, The engine did not find us. We ran up to a mountain top, Left history far behind us. Perhaps we should have stayed and died, But somehow we don't think so. We went to see where history'd been, And my, the dead did stink so.
She smiled at him. “How did you know just what I’d want to see?” “How could I not?” he said. “When I think of you, and you are not there, I see you in my mind’s eye always with a book in your hand.” He looked away from her as he said it, but not before she caught the slight flush on his cheekbones. He was so pale, he could never hide even the least blush, she thought — and was surprised how affectionate the thought was.
There's no doubt in my mind that 'Slam' is going to be huge. It's a film about the power of language. People are going to see this and get blown away.
I was, like, talking to these kids, and I look up, and there was, like, 25 cameras around me. And I ran. I ran away. I, like, straight up ran away, and I was so scared, and then, like, it happened, and after I was done, it kinda sunk in.
I went into 'RuPaul's Drag Race' saying, 'I'll never cry.' Because they make fun of every queen that cries on the show. And I did cry, and I did scream, and I did have doubt, and I did have great, victorious moments.
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