A Quote by Lauren Mayberry

People have said it's hypocritical for me to call myself a feminist and make the kind of music we are making, because we signed to a major in the U.K., and that system objectifies women. Or people have complained that I don't dance. But I like the idea that I can stomp around the stage if I want.
I think people resist feminism because they're scared. I think for women, they're scared of being picked on or of being called out. I hear from a lot of young women, you know, I don't want to call myself a feminist because I don't want to get in an argument with someone. And it's just not cool; like it's not a cool thing to be associated with. There's no benefit to saying that you're a feminist.
Norman Mailer loved women so much. I mean probably more than anything in the world he loved women. He got put into a position where he was kind of seen as the anti-feminist, although he was for the feminist movement. He just didn't want people to get consumed with the idea that this was going to be much better. He said, "Look, women should be treated equally and fairly."
Stomp stomp. Whirr. Pleased to be of service. Shut up. Thank you. Stomp stomp stomp stomp stomp. Whirr. Thank you for making a simple door very happy. Hope your diodes rot. Thank you. Have a nice day. Stomp stomp stomp stomp. Whirr. It is my pleasure to open for you... Zark off. ...and my satisfaction to close again with the knowledge of a job well done. I said zark off. Thank you for listening to this message.
When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.
Headbangers' are people who like heavy-metal music, which is performed by skinny men with huge hair who stomp around the stage, striking their instruments and shrieking angrily, apparently because somebody has stolen all their shirts.
He shook his head. "Some people think that they like music, but they have no idea what it's really about. They're kindding themselves. Then there are people who feel strongly about music, but just aren't listening to the right stuff. They're misguided. And then there are people like me." "People like you," I said. "What kind of people are those?" "The kind who live for music and are constantly seeking it out, anywhere they can. Who can't imagine a life without it. They're enlightened."
I had somebody say to me once, 'You can't make the kind of music you're making and call yourself a feminist.' The door was slammed on them swiftly after that.
I went mainstream in a major way with the song "Let's Dance." And what I found I had done was put a box around myself. It was very hard for people to see me as anything other than the person in the suit who did "Let's Dance," and it was driving me mad - because it took all my passion for experimenting away.
I don't think women are that vastly different from men. I'm a bit of a woman myself. But I'm not a feminist filmmaker. I'm not making a feminist thesis to prove that women are important. I just happen to make films with strong characters that are women.
I love making music. I feel like people often get into that 'you should only make music for yourself' kind of place, where they say things like, "I don't write for other people, I write for myself," and I feel like that misses the mark so much because music, especially pop music, is so much more than yourself.
The word 'feminist' is a word that discriminates, and I'm not into that. I don't think there has to be a separation in life in anything. [...] Labels are for other people to understand us, so for me, I know how I feel and I don't need to call myself a 'feminist' or 'not a feminist' because I know what my truth is.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
I hear from a lot of young women, you know, I don't want to call myself a feminist because I don't want to get in an argument with someone. And it's just not cool; like it's not a cool thing to be associated with.
Go on stage and stomp my foot on stage and play my guitar and sing my guts out because I love to entertain people. That's what makes me happy.
All of my friends are really good dancers, which was initially why I never danced - we'd go out and they would kill it and I'd be like, "Yeah, I'm just gonna sit at the bar." I broke my foot, and I couldn't run for a year, but I realized I could kind of dance. It reminded me how amazing dance is; it's so in tune with music - it is music. It's a physical expression of whatever music is. On stage, you're interacting with things - physical things. So I've really started to like and notice the way people move with music.
I feel like it's my responsibility to be the greatest I can be. If I go out there and start making terrible music, I don't expect people to like me. If I'm making great music and there's no reason for people to not like me, that's when it's going to make me upset. People just need to take a chance and listen.
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