A Quote by Lauren Miller

After leaving ImageMovers, I sold two pitches to Fox Atomic, which I then wrote for them. — © Lauren Miller
After leaving ImageMovers, I sold two pitches to Fox Atomic, which I then wrote for them.
I sold my first short story while I was home on maternity leave, then began working on novels. Since I was reading and enjoying romance novels at the time, the first two unpublished manuscripts I wrote were both romances. I sold my third novel, 'Call After Midnight,' to Harlequin Intrigue after submitting it unagented.
I leave, and the leaving is so exhilarating I know I can never go back. But then what? Do I just keep leaving places, and leaving them, and leaving them, tramping a perpetual journey?
I met a girl, and two months after we met I wrote 'Nevermind.' And 'Never Go Back' is actually a song I wrote two or three days after the breakup, after a year and a half. Straight continuation of the story.
I've written about 15 screenplays and they all sold - they were all sold on pitches.
I wrote 'Marvels,' which was about a guy who had two daughters, and I wrote 'Astro City Volume 2 #1,' which was about a guy who had two daughters. In both cases, about a year and a half or two years apart. And then after that, I had two daughters, about a year and a half or two years apart.
The first two songs that I wrote, produced and demoed with my voice on it was that song and then Akon's "Sorry, Blame It On Me." The first two demos I ever wrote and demoed, the two biggest artists at the time took them.
The only thing is that ordinarily when I do dance with [women] they think I am suddenly going to throw them over a table or twist them all around. All I want to do is one-two, one-two-three - a simple fox trot. But they're shaking with anticipation at the thought that I'm about to whip them around and then toss them on the roof.
The people who did the collateralized mortgage obligations, sold them to pension funds, then sold them short, then bought credit default swap insurance on them, are just amazing. They are a law unto themselves.
My biggest thing is I need to see a lot of pitches, which I did today. That's good. The more pitches you see, the better your timing is going to be. But it's going to be impossible to see enough pitches. No matter how many pitches you see, it's still going to be March 6.
I had written four scripts before I wrote Recount. Each one progressed my career a little bit, but I didn't make a dime off any of them. Recount was the first thing I sold, and I actually sold it as a pitch to HBO. They bought it as a pitch, which was a miracle. I thought, "Wow, this could be the last time I'll be paid to write a script again, which would be too bad because that was an amazing experience I just had."
Many years ago, I was in a Broadway show and I had to wear a fox fur around my shoulders. One day my hand touched one of the fox's legs. It seemed to be in two pieces. Then it dawned on me.... her leg had probally been snapped in two by the steel trap that had caught it.
In Hiroshima, thirty days after the first atomic bomb destroyed the city and shook the world, people are still dying, mysteriously and horribly-people who were uninjured in the cataclysm from an unknown something which I can only describe as the atomic plague.
I worked as a trainee manager for two years after leaving university - then got bored with the nine to five.
There are certain things I can't do, certain pitches I can't hit. You stay away from them. You try to wait for pitches you can hit. The bat speed isn't what it used to be. You make up for it by using your head, working counts, getting ahead in counts and getting pitches to hit and hitting them hard.
Probably our atomic weights merely represent a mean value around which the actual atomic weights of the atoms vary within certain narrow limits... when we say, the atomic weight of, for instance, calcium is 40, we really express the fact that, while the majority of calcium atoms have an actual atomic weight of 40, there are not but a few which are represented by 39 or 41, a less number by 38 or 42, and so on.
I was writing all my childhood. And I wrote two novels when I was 17, which were terrible. And I'm not sorry I threw them out. So, I wrote. I had to write. You know, the thing was, I had no education.
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