A Quote by Lauren Myracle

I'm always drawn to the underdogs, to the people whose stories don't get told. — © Lauren Myracle
I'm always drawn to the underdogs, to the people whose stories don't get told.
The other day, someone told me that all my life I will be telling the stories of underdogs. Their stories always appeal to me.
I'm drawn to stories about ordinary people who get tangled up in an extraordinary event or idea or emotion. I'm not saying I don't love films about super-people or super-doctors, but my preference is for stories about how we get through this life, what it is to be human, because I'm always struggling with it myself.
Im drawn to stories about ordinary people who get tangled up in an extraordinary event or idea or emotion. Im not saying I dont love films about super-people or super-doctors, but my preference is for stories about how we get through this life, what it is to be human, because Im always struggling with it myself.
I think most people aren't really privy to how stories are developed and what stories are - make it to the front page or to the mainstream media, whether it's in print or in broadcast. And I think they'd be shocked and disappointed to see some of the bias that exists in some of the stories that don't get told - or the manner in which they are told.
'I Told You' is for all the people who've been doubted, the underdogs.
I'm not sure whay I've been drawn to this subject, except that murder is a subject that has always drawn people for as long as people have been telling stories.
I guess I'm drawn to stories of people whose physicality puts them on the outside of things in order to explore the ways in which an identity is formed around these prevailing attitudes.
Fundamentally, one of the things I tend to migrate toward when I'm working is a story about people whose stories aren't told in theater.
I'm not sure why, but I seem to be drawn to stories about abuses of power. But I'm also drawn, not so much to victims' stories, as stories that tend to show how power works. Because if you don't understand the criminals, you can't figure out how to stop the crimes.
It has been said, "History is written by the victors." I take this to mean we can make ourselves victorious by writing, and then rewriting our own stories. In a country and culture so dominated by media, by the manipulation of words and stories, telling the tales of people whose stories historically have not been told is a radical act and I believe an act that can change the world and help rewrite history.
Each of us is comprised of stories, stories not only about ourselves but stories about ancestors we never knew and people we've never met. We have stories we love to tell and stories we have never told anyone. The extent to which others know us is determined by the stories we choose to share. We extend a deep trust to someone when we say, "I'm going to tell you something I've never told anyone." Sharing stories creates trust because through stories we come to a recognition of how much we have in common.
Those from whose pocket the salary is drawn, and by whose appointment the officer was made, have always a right to discuss the merits of their officers, and their modes of exercising the duties they are paid to perform.
I'm not drawn to stories that are just sort of fluffy. I'm just not, and I've tried to, and as a kid I was never drawn to them. I always chose complicated.
I think you're always drawn to what you love, and I'm always really drawn to things that feel really real and really true to me. I love things that make me think of things in a way I hadn't, and I love looking at people in the world in a way that I hadn't. And sometimes big, huge stories do that for me, but I think I am drawn to smaller ones.
I guess the more women are present and out there in life, the more their stories will be told. I don't know. Their stories have always been told on Lifetime.
The first week I was in Iraq, I said, "This is what I want to do. I want to be a reporter and to tell stories of people whose stories would not be told if we don't gather them." It's part of what I think of as the one-two punch of journalism. You're trying to give voice to the voiceless, and then you're also trying to hold those in power accountable, regardless of what party they're in.
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