A Quote by Lauren Oliver

It amazes me how easy it is for things to change, how easy it is to start off down the same road you always take and wind up somewhere new. Just one false step, one pause, one detour, and you end up with new friends or a bad reputation or a boyfriend or a breakup. It's never occurred to me before; I've never been able to see it. And it makes me feel, weirdly, like maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different.
Maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different.
I think the big thing for Simple Plan is that we were able to keep the band members, the same five guys, the same lineup from the start. That's not easy. We grew up together. We're friends. We come from the same world. We've always had the same dreams and goals. I think we realized, as the years go by, how precious it is to have that, to build that, to see so many bands break up... it makes us realize how different we are to all that. We're really proud of that.
I was a handsome boy, a very handsome young man, bright blue eyes, mmm. I would make trucks skid off the road. Anyway, girls were never a problem; the problem was me. But a lot of guys didn't like me because I made it look so easy, but it wasn't easy for me or anybody. When you're 24, it's not easy. You haven't reached anywhere that you want to be, so my looks helped me get in the movies, and I'm privileged that my parents came up with what I look like. What they did I'll never know and I don't care.
She looked up. "What I can't figure out is why the good things always end." "Everything ends." "Not some things. Not the bad things. They never go away." "Yes, they do. If you let them, they go away. Not as fast as we'd like sometimes, but they end too. What doesn't end is the way we feel about each other. Even when you're all grown up and somewhere else, you can remember what a good time we had together. Even when you're in the middle of bad things and they never seem to be changing, you can remember me. And I'll remember you.
We operate from this position of, "Let's build the skeleton and then insert the filling." We have this ping-pong dynamic with each other where we're able to try different things and bounce different ideas, and it ends up being us building our music together. I've never had a moment where I've been like, "I don't like it." Actually, that's total bullshit. I've had many moments where I'm like, "I don't like it," but it's always evolving.
I'm continually astonished with myself how different people bring out things in me that I never knew I had inside me. Each new friendship can make you a new person, because it opens up new doors inside of you.
That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
My problem is, whether it's for emotion or for the talents that a character has to have in a role, I find it very difficult to not take on a challenge. I need to say, "Okay, enough, take the easy road." But the easy road for me is not - it might just come out coincidentally. I wouldn't ever choose a movie because it's easy. I might choose a movie because I feel like being funny, or I feel like being able to do something that is perhaps dramatic, but to a lesser degree. Because I like switching it up, basically, not because I would take the easier road.
What I also love about Lorrie Moore stories is they take me a long time to read. They're not easy for me because each sentence, I feel like, is so rich and dense, it just sends me off in a thousand directions.
I've been through my fair share of highs and lows. Yes, I've been written off, and it amazes me, and it amuses me, also, when I'm written off by the press cause then I tell them that's just the lull before the storm. And every time I've been down, I've been down, never out. So it just makes me work a lot harder.
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
I've always loved California; I'll probably always live here on the West Coast, at least long-term. But I do love coming to New York. The energy is totally different, and I always have a lot of fun there. I always end up staying up all night! I look at my friends, like, "How do you guys do this every day?"
I feel like I'm a boy, but I don't feel like I should've been born with different parts of my body or anything like that. I feel like it's just all in how I dress and how I talk and how I look and feel, and that makes me happy.
Every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. Even as a Beatle, they'd say, 'Oh, double-track that.' I don't know how you do that, because when I'm in a fill I'm sort of this blackout, just this pure me coming out and I can't pure me the same, twice. So, that's that.
I thought following a straight road would lead me right to my destination. Like the road would just take me there because I was following all the rules. And if the road curved, I couldn't be sure about where I was going. But look where it got me. Maybe it's time for a detour.
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