A Quote by Lauren Oliver

I know the rules. I've been living here longer than you have." He cracks a smile then. He nudges me back. "Hardly." "Born and raised. You're a transplant." I nudge him again, a little harder, and he laughs and tries to catch hold of my arm. I squirm away, giggling, and he stretches out to tickle my stomach. "Country bumpkin!" I squeal, as he grabs out and wrestles me back onto the blanket, laughing. "City slicker," he says, rolling over on top of me, and then kisses me. Everything dissolves: heat, explosions of color, floating.
When Liam stepped forward again, Derek's arm shot around me , a growl vibrating up from his stomach. Liam put his hand out toward me. When Derek tensed he pilled back, then did it again, testing his reaction, laughing when he got one, untill even Ramone started to laugh. "Check this out," Liam said. "I think the pup's got himself a mate. Isn't that the cutest thing?
When I’m running, there’s always this split second when the pain is ripping through me and I can hardly breathe and all I see is color and blur—and in that split second, right as the pain crests, and becomes too much, and there’s a whiteness going through me, I see something to my left, a flicker of color […]—and I know then, too, that if I only turn my head he’ll be there, laughing, watching me, and holding out his arms. I don’t ever turn my head to look, of course. But one day I will. One day I will, and he’ll be back, and everything will be okay. And until then: I run.
He slides his hand over my cheek, one finger anchored behind my ear. Then he tilts his head down and kisses me, sending a warm ache through my body. I wrap my hands around his arm, holding him there as long as I can. When he touches me, the hollowed-out feeling in my chest and stomach is not as noticeable.
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
This goes against everything that I am, Sarai," he says and then kisses me. "No, it doesn't," I whisper and kiss him back. "It's you becoming more of who you really are.
So I went ahead and made me a guitar. Igot me a cigar box, I cut me a round hole in the middle of it, takeme a little piece of plank, nailed it onto that cigar box, and I gotme some screen wire and I made me a bridge back there and raised itup high enough that it would sound inside that little box, and got mea tune out of it. I kept my tune and I played from then on.
He loves to sit and hear me sing, Then, laughing, sports and plays with me; Then stretches out my golden wing, And mocks my loss of liberty.
You're punishing him over and over for things that are out of his control. Now, I'm not saying you shouldn't have a fully loaded weapon next to you round the clock. But I think it's time you flipped this little scenario in your head. If you'd been taken by the Capitol, and hijacked, and then tried to kill Peeta, is this the way he would be treating you?" demands Haymitch. I fall silent. It isn't. It isn't how he would be treating me at all. He would be trying to get me back at any cost. Not shutting me out, abandoning me, greeting me with hostility at every turn.
I sank down onto the bed against the headboard and leaned back. I crossed my legs underneath me. "Then we'll talk." I said with a smile. Rush sat down onto the bed and leaned back against the wall. A deep chuckle came from his chest and I watched as a real smile broke out on his face. "I can't believe I just begged a female to sit and talk to me." In all honesty, I couldn't either.
The empty blue sky of space says 'All this comes back to me, then goes again, and comes back again, then goes again, and I don't care, it still belongs to me
You know what black hatred women feel toward me as soon as they see me, until I return inside my shell, they use every possible weapon. As soon as a generous man tries to help me out, a woman is here to hold his arm and prevent him from acting.
TODD!" I yell again and I reach him and his Noise opens even farther and wraps around me like a blanket and I'm grabbing him to me, grabbing him to me like I'll never let him go and he calls out in pain but his other arm is grabbing me back - "I thought you were dead," he's saying, his breath on my neck. "I thought you were dead." "Todd," I say and I'm crying and the only thing I can say is his name. "Todd.
I started rocking and rolling when Guns N' Roses came out. It wasn't until Garth Brooks came around that I really got back to country. He made it fun again. To me, in country music, the rigor mortis was setting in and it just wasn't fun anymore. Garth brought everyone back over to country and made it cool again.
I step back further, until I feel cold tiles against my back. It is then I get the glimmer that I associate with memory. As my mind tries to settle on it, it flutters away, like ashes caught in a breeze, and I realize that in my life there is a then, a before, though before what I cannot say, and there is a now, and there is nothing between the two but a long, silent emptiness that has led me here, to me and him, in this house.
My father took me back home, back to Greenwich Village, and he thought by taking me out of the orphanage he'd be out of the World War too. But no way - they got him anyway. He went in the Navy and then I lived on the streets.
I search my brain for the truth. “I want it more than anything, just as long as you promise me one thing.” “And what’s that?” “That if at any time it gets to be too much for you, you’ll leave me—walk away and get out.” “That will never happen,” he guarantees me. “You need to give me some credit. You left me, ripped out my heart, and then came back acting like a robot, and you know what? We made it through. You and I, good or bad, belong together. We make each other whole.
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