A Quote by Lauren Oliver
Something aches at the very core of me, something ancient and deep and stronger than words: the filament that joins each of us to the root of existence, that ancient thing unfurling and resisting and grappling, desperately, for a foothold, a way to stay here, breathe, keep going.
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There is in each of us an ancient force that takes and an ancient force that gives. A man finds little difficulty facing that place within himself where the taking force dwells, but it's almost impossible for him to see into the giving force without changing into something other than man. For a woman, the situation is reversed. ... These things are so ancient within us that they're ground into each separate cell of our bodies... It's as easy to be overwhelmed by giving as by taking.
Fire taps something ancient and vital in each of us, something both snarling and reverential.
I felt a curious thrill, as if something had stirred in me, half wakened from sleep. There was something very remote and strange and beautiful behind those words, if I could grasp it, far beyond ancient English.
Music. – There is something very wonderful in music. Words are wonderful enough: but music is even more wonderful. It speaks not to our thoughts as words do: it speaks straight to our hearts and spirits, to the very core and root of our souls. Music soothes us, stirs us up; it puts noble feelings into us; it melts us to tears, we know not how: – it is a language by itself, just as perfect, in its way, as speech, as words; just as divine, just as blessed.
We make two mistakes about the ancient world. One is to assume they were better than us - that, for instance, the ancient Olympics didn't involve money-making. The opposite mistake, and just as common, is to think our Olympics are much more civilised than ancient sporting competitions. Neither is true.
Ancient worship . . . does truth. All one has to do is to study the ancient liturgies to see that liturgies clearly do truth by their order and in their substance. This is why so many young people today are now adding ancient elements to their worship. . . . This recovery of ancient practices is not the mere restoration of ritual but a deep, profound, and passionate engagement with truth—truth that forms and shapes the spiritual life into a Christlikeness that issues forth in the call to a godly and holy life and into a deep commitment to justice and to the needs of the poor.
Laughter has something in it common with the ancient words of faith and inspiration; it unfreezes pride and unwinds secrecy; it makes people forget themselves in the presence of something greater than themselves.
This ancient practice of the Rudrabhishekam, with the chanting of mantras, has been happening since thousands of years. It creates such a deep resonance in our consciousness, because our consciousness is very ancient
Frankenstein feels like an ancient tale, the kind of traditional story that appears in many other forms. It appeals to something very primal, but it's also about profound things, the very nature of life and death and birth - about, essentially, a man who is resisting the most irresistible fact of all, that we will be shuffling off this mortal coil.
I have always just experimented, and I come from a very ancient, acoustic root. It was very hard to put a finger on me.
Part of what we love about poetry is the fact that it seems ancient, that it has an authority of ancient language and ancient form, and that it's timeless, that it reaches back.
We learn that many great thinkers were convinced that the Bible contained the Ancient Mysteries, but not in the literal words—that the words on the pages were codes, and that the Bible is comprised of heavy-handed and useless story covering up something much more important and interesting. I get the feeling that [Dan Brown] is trying to tell me something, but I am not biting, reader.
Sometimes, in the trenches, you get the sense of something, ancient. One trench we held, it had skulls in the side, embedded, like mushrooms. It was actually easier to believe they were men from Marlborough's army, than to think they'd been alive a year ago. It was as if all the other wars had distilled themselves into this war, and that made it something you almost can't challenge. It's like a very deep voice, saying; 'Run along, little man, be glad you've survived
The Lord spoke to me and said, He is coming as the Ancient of Days and because He is the Ancient of Days there is an ancient key that He carries. And in the carrying of this key you have seen the enemy take his place between you and the promise at this level.
Alan [Lomax] and his father started off changing the definition of folk music from something ancient and anonymous to something very contemporary.
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