A Quote by Lauren Oliver

i feel like a curtain has dropped away and i'm seeing people for who they really are, different, and sharp, and unknowable. — © Lauren Oliver
i feel like a curtain has dropped away and i'm seeing people for who they really are, different, and sharp, and unknowable.
They do not need the sun. Who needs the sun when the eyes glow? Darkness. A woolen fog has wrapped the earth, has dropped a heavy curtain. From far away, from beyond the curtain, comes the sound of drops falling on stone. Far, far away - the autumn, people, tomorrow. ("The North")
It's really hard seeing somebody you love be in pain and be ill and there's nothing you can do. What's interesting is people act in so many different ways. You know, some people run away, some people get angry, some people fall apart. It's like everybody has a different way of dealing with stuff like that.
[Nabokov's] language is made visible . . . like a veil or transparent curtain. You cannot help seeing the curtain as you peek into the intimate rooms behind.
There is no situation like the open road, and seeing things completely afresh. I'm used to traveling. It's not a question of meeting or seeing new faces particularly, or hearing new stories, but of looking at life in a different way. It's the curtain coming up on another act.
I love to play in the different keys like B or F sharp, or keys that most people don't play in, because they have a better resonance or something. I'm really not fond of F and C. I just stay away from those if I can.
Maybe I'm seeing myself in a different way than the people in the audience see me, 'cause to me, I think I look like a ballerina and I feel like a ballerina. But maybe I'm not seeing what other people are seeing.
Working on an essay versus a novel is like the difference between seeing to that curtain and seeing to New Jersey.
I always feel that there is a curtain, you know, that if I could just peek behind the curtain I'd see how the world really works. And since I haven't had it I have to write about it instead.
The stories I love the most are where the author has a lot of empathy for everyone. The author loves their characters and takes their situations really seriously, and you feel like you're just dropped into a different world.
I've hit 1, 2 and surprisingly I've hit 3 most of my life. Not that I'm going to be hitting 3, but I feel like those are three really different positions in the lineup. And I feel like I've done all of them. I know what's expected at each one of those, and I feel like you can take that experience away.
I feel kind of like a kid absorbing everything. I just like seeing people who are doing their thing, whether it's music, or a movement they're creating, or coming up with new technology. I really like seeing that there's new stuff happening. I find that the most inspiring thing.
Distance is where people get really confused. If you stand really far away from someone you're like, "That's not me. I'm so far away from that person. That person is so different from me." It's easy to forget that people - refugees from Syria, for example - are exactly like us.
It's so much more fun to do the work than to talk about it. I will have to admit that. Everybody gets to decide how they feel, and what to take away by themselves, and that's what you hope for. That people will take away different things and have different experiences from the work we do as actors. So I don't like to prescribe how to feel about the work I do.
It's not that people like sad movies that make us feel like, "Oh, my god, what a bummer." We like emotionally moving experiences, where you feel like a slightly different person and you see the world a little different, after you finish. It lets you see your own life, in a different way, and it actually makes you feel really good. And even though there might be sad content making this happen, the feeling that you're left with is one that is quite good, quite hopeful, clarifying and uplifting.
As a teenager I had never been able to accept the fact of having to go to the back of a bus or sit in the segregated section of a train. The first time I had been seated behind a curtain in a dining car, I felt as if the curtain had been dropped on my selfhood.
One thing I have figured out: People don't like different. People don't like to see anything different. When you see something different, you are either scared or afraid or you feel threatened. And I feel that the way I play the game, it feels like I should have played 50 years ago. But it's what I do.
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