A Quote by Lauren Oliver

That's the way I feel, at least: like there's a real me and a reflection of me, and I have no way of telling which is which. — © Lauren Oliver
That's the way I feel, at least: like there's a real me and a reflection of me, and I have no way of telling which is which.
You look like a ghost," Bailey says. He can think of no better way to describe it. "You appear the same way to me, so which of us is real?
I feel like no one starts entertainment with an impure intention, but somewhere along the way, lines become blurred and you're no longer sure which way is up and which way is down.
I feel like this is the way I was meant to interact with acting. Which is as a director, and helping, working with actors to find their way. Facilitating their performances is so satisfying for me.
As Erykah Badu, it has nothing to do with me, the way I look, my hair wrap, my style, it's about you and what you feel for my music. If I can make you feel like the way that people who influenced me made me feel, that's completion.
I do have commitment phobia, which I think is underlied by death anxiety. I feel that if you are in a relationship, there is a real genuine possibility of plateauing, and there is a possibility for a creative, emotional and spiritual death because of it. Only part of me feels this way, but it's enough to create an anxiety which makes me think twice before committing.
The rest of America, with some small exceptions, has been bulldozed and rebuilt and then bulldozed and rebuilt again. Our places have become interchangeable. Here in New Orleans, everything from the architecture to the way in which people eat, the way in which they talk, the way in which they do business, the way in which they dance, the manner in which everything is set to a parade beat, they're all from here. There's no place like it.
As a child, I felt that the Indian part of me was unacknowledged, and therefore somehow negated, by my American environment and vice versa. Growing up, I was impatient with my parents for being so different, holding on to India the way they did, and always making me feel like I had to make a choice of which way I would go.
Music makes me forget my real situation. It transports me into a state which is not my own. Under the influence of music I really seem to feel what I do not feel, to understand what I do not understand, to have powers which I cannot have. Music seems to me to act like yawning or laughter; I have no desire to sleep, but I yawn when I see others yawn; with no reason to laugh, I laugh when I hear others laugh. And music transports me immediately into the condition of soul in which he who wrote the music found himself at that time. ~The Kreutzer Sonata
Which meant I got left with Quinn yet again. Given the time he was taking to make his decision, I wasn't exactly happy about that. I mean, putting me with him was like flashing chocolate my way then telling me I couldn't have it. It was just plain mean.
I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way.
I remember, with Kendrick on 'To Pimp a Butterfly,' I was in tears. I literally was because it had pulled me and pushed me and stretched me and crushed me and expanded me. It was like I didn't know which way was up. By the end of it, I felt like I was floating in the ocean like a carcass.
Giving is God's way. It is the way that I now understand is the truth of the Universe. Giving multiplies me and makes me feel complete and fulfilled. Giving makes me feel that I make a real and important difference.
I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.
There's a point at which writing a book, or a long article, begins to feel like mental labor, and it's too painful to connect in the world in any real way mid-process. The only way to survive is to write until it is all said and done.
[Photography] allows me to accede to an infra-knowledge; it supplies me with a collection of partial objects and can flatter a certain fetishism of mine: for this 'me' which like knowledge, which nourishes a kind of amorous preference for it. In the same way, I like certain biographical features which, in a writer's life, delight me as much as certain photographs; I have called these features 'biographemes'; Photography has the same relation to History that the biographeme has to biography.
I never really feel like just standing there and telling jokes. I want to move around. In fact, it's hard for me to write a joke where I don't end up on the ground for some reason. Hey, at least that way, I know no comics will steal my jokes. Too many bruises.
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