A Quote by Lauren Oliver

Of all the miracles Po had seen in the time and space of its death, Po thought this--the absorption of another, the carrying of it--was the most bewildering and remarkable of all. Whenever Bundle separated again, Po was left with an ache of sadness that reminded the ghost of the body it had left behind.
There was no helping her tears. For they would leave Po behind… She cried into his shoulder like a child. Ashamed of herself, for it was only a parting, and Bitterblue had not wept like this even over a death. ‘Don’t be ashamed,' Po whispered. ‘Your sadness is dear to me. Don’t be frightened. I won’t die, Katsa. I won’t die, and we’ll meet again.
Like a lot of black people, I grew up straight po'. Wasn't no question about whether we was po', either. If you really wanted to know, all you had to do was look in our refrigerator.
I'll teach you how to defend yourself, how to maim a man. We can use Po as a model.' 'Wonderful,' Po said. 'It's quite boring really, the way you beat me to death with your hands and feet, Katsa. It'll be refreshing to have you come at me with a knife.
Suddenly Po shot into the courtyard from the north vestibule whooping. Katsa, seeing him, broke into a run and they tore at each other through the wash. Just before the moment of impact, Po shifted to one side, crouched, scooped Katsa up, and, with admirable precision, propelled them both sideways into the pool. ... Katsa and Po were trying to drown each other and, judging from their hoots of laughter, enjoying it immensely.
In the '80s, I wore these glasses because I was trying to look like a square to outsmart the po-po, you feel me? It was what we call 'throw off methods.' So I wear little glasses.
Katsa sat in the darkness of the Sunderan forest and understood three truths. She loved Po. She wanted Po. And she could never be anyone's but her own.
I wish people would stop hitting Po," whispered Bitterblue. "Well," Giddon said. "Yes. I'm hoping Skye is following my model. Punch Po; go on a long trip; feel better; come back and make up.
Artemis: (shocked) Why, Doctor? This is a sensitive area. For all you know I could be suffering from depression. Doctor Po: I suppose you could. Is that the case? Artemis: (head in hands) It's my mother, Doctor. Doctor Po: Yes? Artemis: My mother, she... Doctor Po: Your mother, yes? Artemis: She forces me to endure this ridiculous therapy when the school's so-called counsellors are little better than misguided do-gooders with degrees.
If she took Po as her husband, she would be making promises about a future she couldn't yet see. For once she became his wife, she would be his forever. And, no matter how much freedom Po gave her, she would always know that it was a gift. Her freedom would be not be her own; it would be Po's to give or to withhold. That he never would withhold it made no difference. If it did not come from her, it was not really hers.
Po swirled upward from where it had been sitting, and floated over to the window. "When you go swimming and you put your head under the water," Po said, "and everything is strange and underwater-sounding, and strange and underwater-looking, you don't miss the air do you? You don't miss the above-water sounds and the above-water look. It's just different." "True." Liesl was quiet for a moment. Then she added, "But I bet you'd miss it if you were drowning. I bet you'd really miss the air then."
(about Dr. Po) Just another quack spouting psychobabble.
People fight in New Orleans about what's the best po'boy, and Domilise's always comes up. It's the best one I've ever had.
I don't like po-faced fashion.
As she left the room, Po went to Katsa, pulled her up, sat himself in her chair, and drew her into his lap. Shushing her, he rocked her, the two of them holding on to each other as if it were the only thing keeping the world from bursting apart.
There is only one po- sition for an artist anywhere: and that is, upright.
Breakin' in cribs with a crowbar I wasn't poor, I was po', I couldn't afford the 'o-r'
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