A Quote by Lauren Schmidt Hissrich

I think audiences are really savvy and know when we're doing stuff to just shock them versus do stuff that really drives the story. — © Lauren Schmidt Hissrich
I think audiences are really savvy and know when we're doing stuff to just shock them versus do stuff that really drives the story.
But television affords you, what you just described, to - over the course of 18 hours, now that we're doing a third season - tell the story of this man. You're not under any obligation, really, to do massive expositional stuff at the beginning. You're at liberty to say, "Come with us on this journey," and, gradually, you become aware of what his motivations are, what drives him, what his weaknesses are, what his strengths are. That's what I think's sucking people into these worlds, because it is kind of like a novel, you just go really, really deep.
Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
But you know, we have more hits than you can possibly think about. One of my personal favorite artists is the wonderful artist named Cher. And although I love much of her late stuff, her early stuff was the stuff that I really, really loved.
I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint.
What gets made that's considered for men - it's really just T&A stuff. It's not stuff than any guy I know really wants to watch, you know, the stuff with jiggling boobs and all that. Something with real sort of male themes and male strength and things I want to watch in a drama.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
There's only so much stuff you can buy. I have to retail the stuff. Stuff that's really really weird - it's cool, but who are you going to sell it to? I do collect some stuff. In the end, I have to run a business.
When you think of Grimm's fairy tales, they are deeply, deeply psychological. They're so powerful, so bloody, and really, really disturbing. Think about five-year-olds reading that stuff. Even 'Little Red Riding Hood' is a really freaky story. Grandma is gobbled up by a wolf, and the wolf is going to eat the girl. That's scary stuff.
I think you can't really beat Bob Marley, especially the stuff he was doing with Lee Perry. Just that kind of clubby and dark and crazy stuff, even with the Wailers... Some of the songwriting was phenomenal.
I came to the conclusion is that we have a very shallow view of human nature in the policy world. We're really good at talking about material things, really bad at talking about emotions, really good at stuff we can count, really bad at the deeper stuff that actually drives behavior.
People could write stuff that's really offensive, but if it's written within a believable world that has a tone to it, then it can be funny. But if it's just shock-value stuff, then it's not going to work, because it's not coming from a true place.
I don't really think of Dire Straits as a sound, you know. It. just depends on the song, and the stuff we're doing is so varied.
I really enjoy doing the action stuff, but you have to be careful about who you say yes to with the action stuff 'cause some people want to do it but don't know how, and then it just becomes incredibly frustrating.
I think you just learn a lot of stuff in general about all the stuff he [Edward Snowden] released. I think there's probably a lot that we don't know. That's what is really interesting.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
The Green Arrow stuff that I've responded to from the past is the Mike Grell stuff. I've liked a lot of other stuff, but I think for me, the direction and the mood and the tone that I really want is something much darker and more aggressive and really fast-paced action.
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