A Quote by Lauren Shuler Donner

Matt's [Nix] is much more a part of just the world in terms of there are mutants, mutants are hated and there are Sentinels - though very different from what we've seen before. You feel like you're here in the X-Men world.
If you don't know, 'The New Mutants' is like an 'X-Men' spin-off. It was a comic book; Bill Sienkiewicz did it and it was an 'X-Men' comic. It's basically like a separate bunch of mutants.
Maisie Williams was my first choice to play Wolfsbane when I heard about the 'New Mutants' movie - but in comic books, I can keep the New Mutants adolescent for decades and have as much fun writing them at the end as I did in the beginning.
Back in 1982, when there were still only a manageable number of 'X-Men' titles on the racks (by which I mean just one), Marvel quite reasonably figured the world could stand another team of beleaguered mutant superheroes. And so were born 'The New Mutants,' junior X-Men whose powers had just begun to manifest at the onset of puberty.
I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager. I like being around teenagers. It's good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They're mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
The thing with mutants is, they've always stood in for the disenfranchised and downtrodden. And no matter how hard they fight, how hard they work to live among humans, the humans always push back with new laws and new ways of hurting mutants.
I didn't want to feel constrained, so I took on the Mutants
I didn't want to feel constrained, so I took on the Mutants.
The mutants I like - Wolverine. The action heroes I like, they have weapons; they are more visceral. So I filled the comic with characters like that, and we got big results.
I feel like we're in a truly revolutionary period, not just in terms of practical activities to overthrow regimes in the Middle East or Occupy but also in terms of radical redefinitions. I feel like workers are a big part of it, but there's so much more going on.
I just think that the gifts that God has given me and the attention that I have, I just don't feel like acting is the limit of it. I just feel like there's so much more that I could do...And, you know, every day I wake up and I try to do a little more and I just want the world to be different and better because I was here.
I was given a chance to re-haul 'New Mutants' and take it from the dog of the 'X-Men' office to 1 million copies with its final issue.
I've never known a writer who didn't feel ill at ease in the world. We all feel unhoused in some sense. That's part of why we write. We feel we don't fit in, that this world is not our world, that though we may move in it, we're not of it. You don't need to write a novel if you feel at home in the world.
I was not creating icons when I wrote the 'The X-Men' and the 'The New Mutants.' I was creating people.
The wonder, especially about the 'New Mutants' is, they're all kids. They're all growing. They're changing, literally, from page to page in terms of character and approach, past, present, and future. As a writer, that's the most delicious thing to play with.
In terms of playing like a straight leading man type thing, I feel like all these guys are kind of not necessarily leading men but straight kind of characters. Even though they may seem bizarre or strange, I feel like I think everybody's nuts. I mean, I really do. And the weirdest thing in the world is to see some guy who is just super earnest.
What we see before us is just one tiny part of the world. We get in the habit of thinking, this is the world, but that's not true at all. The real world is a much darker and deeper place than this, and much of it is occupied by jellyfish and things.
This site uses cookies to ensure you get the best experience. More info...
Got it!