You can say I'm a hater. But I would argue I'm a lover. I'm a lover of traditional families and of the right of children to have a mother and father... I would argue that the future of America hangs in the balance, because the future of the family hangs in the balance. Isn't that the ultimate homeland security, standing up and defending marriage?
Sometimes you wake up with mini panic attacks where you feel like 'Oh my God! I don't have a film right now! Should I just do something that comes my way because I don't have another film?' But I feel at the end of the day, your gut takes over.
For me, it's different every year. Some years, it takes me a while to feel comfortable again, to feel like I'm ready to go. Other years, it clicks real fast. Sometimes, it just takes one game or one swing to feel like, 'OK, I'm back.'
Within the structure of 'Scream 4,' there is the film within a film, but that's been part of the 'Scream' franchise since 'Scream 2,' when you had the 'Stab' franchise.
It's a hugely popular franchise, and every 'Housefull' film has worked well at the box office.
Every film is like a baby for me; it's like my own child. I feel protective and aggressive each time my film hit theatres.
Hangs in the uncertain balance of proud time.
I see around 100 shows a month, going from Niketown-size palaces where you feel like yelling, to storefronts in Bushwick. Each has to pay the bills; keep artists happy; and cope with collectors (oy!), curators (ay-yi-yi), critics (woo-hoo!), and occasionally plumbers. That their fiscal life often hangs in the balance only adds to the energy.
For every rapture there is a price and nothing is sustained forever. The path that destiny takes in the end leads to a balance of payments. No one remains overdrawn forever. Destiny's bank is inexorable, all accounts must balance.
Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies.
I feel like in general that if Mandy Rose won the title, it would be more relevant. I have what it takes to be that mainstream woman on every billboard, on every poster, on every talk show.
If anyone can figure out how to balance my celebrity and my dual careers in music and film, it's me. I don't feel frightened; I feel challenged.
When Paul Heyman came and gave me the whole idea for the character, 'The Franchise,' I remember the NFL was just starting to classify one of their players as the franchise player. So that was the whole idea, that 'The Franchise' was the franchise player for ECW.
I love theater - it's where every actor should begin, the core of acting. But I feel that there's something about film that's captivating; it takes you to another , and you get to really be so connected with it.
Every film you see in film school takes on a heightened importance in your life.
Every film for every actor is a make-or-break film. I believe every film has the power to break you or make you. So, an actor will treat every film like his last film. That's the way we need to work, and that's the way you can drum up that passion needed to do good work.