A Quote by Lauren Shuler Donner

I would say that the first 'X-Men' was the hardest. It took us a long time to get it going. — © Lauren Shuler Donner
I would say that the first 'X-Men' was the hardest. It took us a long time to get it going.
It took me a long time to get my life screwed up, and it's going to take a long time to get it back.
I was 14 years old when my dad went into rehab, and he stayed there for a long time - I don't know, 10 or 12 years maybe. He first was there as a resident, as someone trying to get sober, and it took a long time; and then he stayed on helping people get their GED.
The hardest part was knowing that I would have to talk about the album when I released it. I think the hardest part was waiting to see how long it would take for me to be able to get through the questions people would ask me.
'Bonfire' was kicking around for a very long time. It was an idea I wanted to explore for a television show. Then I was given this weird gift of time when 'Jessica Jones' finished season one. I got really organized and just kind of banged it out, but it took a long time. It took two years to even have a first draft.
We should say to the West: "You have been supporting dictators for too many years. Don't expect the people to introduce democracy over night. It is going to take time." It took time with the French revolution, it took time with the Eastern European revolutions. And it is going to take time there.
I have an idea and a first line -- and that suggests the rest of it. I have little concept of what I’m going to say, or where it’s going. I have some idea of how long it’s going to be -- but not what will happen or what the themes will be. That’s the intrigue of doing it -- it’s a process of discovery. You get to discover what you’re going to say and what it’s going to mean.
It took me a long time to realize this: We get to choose what defines us.
My dad's a beautiful man, but like a lot of Mexican men, or men in general, a lot of men have a problem with the balance of masculinity and femininity - intuition and compassion and tenderness - and get overboard with the macho thing. It took him a while to become more, I would say, conscious, evolved.
It took me a long time to get to a position where I can feel that, with my art, I'm capable of saying what I need to say, and once I finish it, I can sit back and say, "It's done, and I'm okay with that. People can judge it good or bad, and it doesn't matter. I'm okay with it because I said something I needed to say." That's a really hard place to get, as an artist.
First we pre-visualized it [the flying fish scene in 'Life of Pi'] so the actors could act. It took a long time to get that to come to life and to design those coming out of the screen. We had great fun with that. It takes a long time, a year maybe.
I've lived in L.A. for a long time, and they say, 'If you sit in a barber's shop for long enough, you will get a hair cut.' Well, if you live in Los Angeles for long enough, you're going to get some surgery.
When your family is with you, it is not the hardest part. The hardest part is not giving up! Sometimes you stop and see everything and you do not know if everything that you are doing is going to pay off. If you work hard, it is going to pay off. But, you will not know until it actually pays off! It is easy to say: "I am not doing this anymore. It's not working!" But, there is a time that you invested so long and so much, that giving up is not an option! You need to keep on going and believe that persistence definitely pays off.
Someday your prince will come," I assure him. "And the first thing I'm going to say to him is, 'What took you so long?
I, not for the first time, would like to say that I never took a pro-Iraq position during the Gulf War.
I feel like my public life isn't necessarily my own. I'm starting to get used to how to maneuver and operate in New York in a way that I don't get stopped all the time. I just pretty much say "Thank you." But one of the things is to try to keep moving. Not to stop too long, because people try to get into a conversation with you all the time. The hardest thing is on the subway, or when people try to chase you down.
I also liked it when professors assigned us stories that they love. In general, I liked workshops more when they were more than just a workshop, when the professor took the time to actually guide us as young writers and teach us things it took them a long time to figure out on their own. I could probably write ten pages on this question.
This site uses cookies to ensure you get the best experience. More info...
Got it!