A Quote by Lauren Shuler Donner
The first two actors we cast were Patrick Stewart and Ian McKellen. Because we started so highbrow, we were able to get anyone. Plus, some of these people have children, and their kids love 'X-Men.' They'll do it because of them - that's our little extra ace in the hole.
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Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in Batman; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.
Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in 'Batman'; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.
I think we felt the pressure more at first than this time around. But still you don't want to let anyone down. I never even met Patrick until we had a Christmas party at Ian McKellen's house on the first movie and then I didn't see him again until the premiere.
With Courageous, it was the first film where we really began to pay our cast. Because the church owned the previous films and we started so small, with such small budgets, people were just volunteering on the cast and crew.
I've never trained anyone that I haven't known as a child. I knew Kirkland when he was 12. Every one of them I started training when they were kids. This is not about just the fight game for me. It is a sport for troubled children that are drawn to violence and that type of life. Boxing has that violence part in it, but it also has structure and dedication and the whole nine yards. You get that little bit of violence that you were drawn towards, but it can save a lot of kids.
On a fundamental level - I know so many women in their 30s who didn't get married, or they did and it didn't work out, or they didn't have children because they were trying to get their careers going, or because they were expected to be independent, plus have a family. They didn't feel secure enough.
I think it's important that when people are struggling, that you not run away from them if you love them. Kristen, I mean, I look at the room tonight, you know, Kristen Stewart and Claire Danes, Jennifer Lawrence, all these young women that I worked with who basically were child actors like I was a child actor. And then I feel very protective of them, because even though I think I have managed to get through the process relatively sanely, I have my scars, and I hope to be in some ways a member of their family that's out there protecting them.
Once we were a part of Equity, we were able to get a salary, and then because we were employing ourselves, we just made sure we were always working. We put in hours to get subscribers. We used to do little shows at rich peoples' houses to get them to give us money.
The role I played [in theatre] was originated by Ian McKellen in 1979 and he came. I didn't know he was there and I walked out at the end of the play, which is a very intense play - my character is required to do some really horrible things - and the director was waiting backstage and he goes, "Obviously I didn't want to tell you guys, but Ian was here today" and we, of course, freaked out.Ian McKellen said some really beautiful, kind things, one of which was, "It's so much harder to watch than it is to do."
In 1990, when we started the Black Community Crusade for Children, we were always talking about all children, but we paid particular attention to children who were not white, who were poor, who were disabled, and who were the most vulnerable.Parents didn't think their children would live to adulthood, and the children didn't think they were going to live to adulthood. That's when we started our first gun-violence campaign. We've lost 17 times more young black people to gun violence since 1968 than we lost in all the lynching in slavery.
To be very fair, it was Ian Marsh and Martyn Ware who started The Human League. They brought Philip Oakey in to sing, primarily because Philip was very tall. So it started out as their vision. I don't think anyone ever thought it would be as big as it became. Music evolves and people were looking for something different. We came out at the right time and were just very lucky.
The '60s were a remarkable time because several things were happening at once. Men were leaving planet Earth, kids were breaking into the television age, and I was able to see Neil Armstrong walking on the moon.
Adults constantly raise the bar on smart children, precisely because they're able to handle it. The children get overwhelmed by the tasks in front of them and gradually lose the sort of openness and sense of accomplishment they innately have. When they're treated like that, children start to crawl inside a shell and keep everything inside. It takes a lot of time and effort to get them to open up again. Kids' hearts are malleable, but once they gel it's hard to get them back the way they were.
I didn't marry you because you were perfect. I didn't even marry you because I loved you. I married you because you gave me a promise. That promise made up for your faults. And the promise I gave you made up for mine. Two imperfect people got married and it was the promise that made the marriage. And when our children were growing up, it wasn't a house that protected them; and it wasn't our love that protected them--it was that promise.
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then, and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
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