A Quote by Lauren Shuler Donner

I'm obsessed with 'Peaky Blinders.' Those characters are awful, and yet you root for them. You love them! Same with 'Breaking Bad.' — © Lauren Shuler Donner
I'm obsessed with 'Peaky Blinders.' Those characters are awful, and yet you root for them. You love them! Same with 'Breaking Bad.'
Somehow we allow, if a character goes to the dark side, if we're hooked into that character - I'm obsessed with Peaky Blinders. Those characters are awful, and yet you root for them. You love them! Same with Breaking Bad. That's not as easy in a feature.
I love Cillian Murphy's character in 'Peaky Blinders' and Tom Hardy's in 'Taboo' - theses are characters that, as audience members, we follow along with and root for. But our own morality is tested throughout that journey, because these characters ride a thin line between morality and amorality.
In the States a lot of Hispanic and black audiences are gravitating towards 'Peaky Blinders.' A mate of went into a bar in Santa Monica and sent me a photo of four blokes dressed as Peakies - they meet every week for a 'Peaky Blinders' evening.
I wish more than anything that I could have kept some of the costumes I had on 'Dreamland.' Obviously the 'Peaky Blinders' suits are just awesome but I'm not allowed to keep them.
People who are obsessed with Jesus give freely and openly without censure. Obsessed people love those who hate them and who can never love them back.
I enjoy stories about thin women - I read them frequently. I enjoy them; I root for those characters, but I always feel like there are enough of them out there and there are enough of them in the spotlight.
Perez Hilton is brilliant to me. Because he’s taken something that people don’t think is valid, don’t think is important, and he’s made them obsessed with it. People are obsessed with him. They’re obsessed with his site, they’re obsessed with what he does. They love him. They all love him. They love you, they hate you, what you don’t want is indifference. The day that I put a record out that nobody says a damn thing about, that’s bad.
I tend to be a fan of darker shows and love 'The Americans,' 'Ray Donovan,' 'True Detective,' 'House of Cards' and 'Peaky Blinders.'
We love telling stories about characters who you root for, even though they sometimes make it really hard for you to root for them and the choices they make.
I show the people I love that I love them by gathering them in my kitchen and feeding them, so no surprise that most of my characters do the same thing.
I don't know if it's a sadistic side or whatever, but you take characters and put them in really awful situations and make them go through that. And it's very satisfying as a director to explore that, to tell those stories and to explore those themes, because it is so human.
The great thing with comedy is that I don't memorize ahead of time like I did on 'Breaking Bad.' With 'Breaking Bad,' I wanted to know those words inside and out, really have my lines down so I could say them verbatim. But with comedy, you keep it a lot more loose.
Watching something like 'Orange is the New Black' - the development of the characters is amazing. Or 'Breaking Bad' or 'Mad Men' - those shows went on for so long. You become so invested in those characters, and I think that's a pretty magic thing.
'Better Call Saul' happens in the same universe as 'Breaking Bad,' and we have the same writers and mostly the same crew. Like 'Breaking Bad,' it is a transformation story, and Bob Odenkirk brings his own distinctive flavour.
I never watched 'The Godfather' and it seems too late now. The same happened with 'The Sopranos,' 'The Wire' and 'Peaky Blinders.' I don't know if they can be compared but they feel to me like they had a lot of male violence that I'm not massively into.
The world isn't awful. People aren't awful. They want to be good. Something makes them bad. Something breaks them down, makes them snap.
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