A Quote by Lauren Tom
I've been to 25 psychics so far. I've even gone to see a woman called 'the mother' who just hugs you.
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My mother would say, before I left the house, 'Remember Art, hugs are better than drugs.' And I believed my mother, I believed everything she said - until the first time I got high at a party. I leaned back, and I went, 'God, this is way better than when my Uncle Perry hugs me. What else has my mother been lying to me about?
Mother humor is such a universal theme. I wrote a show called '25 Questions for a Jewish Mother.' I had people coming up to me after the show saying, 'I'm Baptist, and my mother is just like yours.'
The biggest challenge is to convince a woman that it's not her fault. My daughter is 25; my stepdaughter is 22. As a mother, I want them to know that if a boyfriend is abusive, you cannot ignore it ?- 'Oh, he's been drinking,' or 'He had a bad day.' There is no excuse for a man hitting a woman. Ever.
I wanted a good relationship with my mother, and I realized I had a choice: Either I could spend all my time angry that she didn't give me the hugs I thought I needed, or I could understand that she hugs differently. It's not a spread-open-the-arms, 'come here' hug. She hugs by sheltering me from her worries.
I don't see a white woman. I see a black woman, even though my mother is white. Knowing that has made my life easier, I think.
That one woman is both mother and virgin, not in spirit only but even in body. In spirit she is mother, not of our head, who is our Savior himself-of whom all, even she herself, are rightly called children of the bridegroom-but plainly she is the mother of us who are his members, because by love she has cooperated so that the faithful, who are the members of that head, might be born in the Church. In body, indeed, she is the Mother of that very head.
Every woman has a mother, and every woman will have an issue with that mother and things that mother did or didn't do. It just depends on how you choose to process the lessons that you learned from your own mother.
So many of us have loved ones and people we really care about, and the only time we show affection is when they are gone. I have preached at funerals, and you see loved ones who didn't even say hello to dear ones when they were alive. Give them hugs, kisses while they are alive and need it.
So many of us have loved ones and people we really care about, and the only time we show affection is when they are gone. I have preached at funerals, and you see loved ones who didnt even say hello to dear ones when they were alive. Give them hugs, kisses while they are alive and need it.
When I was 18, I was playing to 18 to 21-year-olds, and then, when I was 25, still playing to 18 to 25-year-olds. As I've gone on, the crowd has gone in both directions, both younger and a little older now than it's ever been. It is an interesting thing to hit 30.
A mother knows what her child's gone through, even if she didn't see it herself.
Even in my side of the world, I've been in publishing for what, 25 or 26 years, and it's gone from being a gentlemen's club to being a few big players, and it's very corporatised.
But I think what made me go into theater was seeing my mother onstage. The first thing she did was Mrs. Frank in 'The Diary of Anne Frank.' The second thing she did was a play about Freud called 'The Far Country.' She played a paralyzed woman in Vienna who goes to see Freud.
I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.
Women opened the windows of my eyes and the doors of my spirit. Had it not been for the woman-mother, the woman-sister, and the woman-friend, I would have been sleeping among those who seek the tranquility of the world with their snoring.
I thought theater people wouldn't see me if I hadn't trained. I didn't want to just be the Brideshead guy, to spend the rest of my life wearing waistcoats. I got the chance to try everything. Not just Romeos, but pimps and grandfathers and even one role as a woman in a Naomi Wallace play called Slaughter City.
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