A Quote by Lauren Weisberger

Naturally, I mine my girlfriends lives for good anecdotes and stories - so many of their experiences find their way into my books. — © Lauren Weisberger
Naturally, I mine my girlfriends lives for good anecdotes and stories - so many of their experiences find their way into my books.
Naturally, I mine my girlfriends' lives for good anecdotes and stories - so many of their experiences find their way into my books.
Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
The way that the stories go in the Snicket books is just the way stories naturally go to me. They're full of misery, and yet the misery ends up being slightly hilarious. And in terms of the warnings on the back of the books, that really started as an honest assessment of their marketability.
Films have to find a way to compress many anecdotes into one, or many events into one. Otherwise there is no way to tell it in two and a half hours.
All of my books are based in some way on my personal experiences, or the experiences of members of my family, or the stories kids would tell me in school.
As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing for instance. It has always been clear to me that the stories of each other's lives are our best textbooks. Every social justice movement that I know of has come out of people sitting in small groups, telling their life stories, and discovering that other people have shared similar experiences. So, if we've shared many experiences, then it probably has something to do with power or politics, and if we unify and act together, then we can make a change.
The only reason we find structure in stories is because it's there naturally in human interaction, and in the way that people tell stories.
What does it matter, if we tell the same old stories? ...Stories tell us who we are. What we’re capable of. When we go out looking for stories we are, I think, in many ways going in search of ourselves, trying to find understanding of our lives, and the people around us. Stories, and language tell us what’s important.
Ebooks have many advantages - publishers don't have to make guesses about how many books to print, books need never go "out of print", and hard-to-find books can be easily available. So far, the only limitation seems to be finding a way for the writer to be paid.
Somehow, I realized I could write books about black characters who reflected my own experiences or otherworldly experiences - not just stories of history, poverty and oppression.
I'm inspired by many different things. Often, I'm inspired by experiences I've had, books I've read, people I've met, stories I've heard.
The stories of kids who grew up in communities like mine weren't being written about in many books for kids.
I've told so many stories to so many friends of mine. I have friends in Pittsburgh, in West Virginia, and in Indy. That's three different demographics of people, and they all laughed, so I assumed that if I find something funny and all my friends find something funny, I hope people everywhere will find it funny.
With 'The Tudors,' I had a huge amount of material, I mean so many books and so much stuff about what they really said. So, in a way it was kind of trying to strip it out and find the stories inside all this material.
Bill Pearson is definitely a man to talk to, especially in the afternoon when he's had a couple of drinks because he's got so many stories and anecdotes.
I was kind of reflecting on my life and certain experiences, and you know, when I'm teaching and coaching my partners on 'Dancing With the Stars,' I sort of use those stories and anecdotes to help them sort of overcome certain fears.
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