A Quote by Lauren Worsham

Growing up, the dream was to be on Broadway. I always loved theater. — © Lauren Worsham
Growing up, the dream was to be on Broadway. I always loved theater.
My childhood dream was always to be on Broadway. I wanted to end up in TV and film. It's kind of flipped, and I'm not mad about it, but my childhood dream is Broadway and I want to end up there.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I loved theater growing up, and my mom always took us to the touring productions that would come through town. We would go to Chicago all the time and see shows. I loved it.
When I was growing up in Pennsylvania, auditioning for Broadway was my dream.
It was a dream to be on Broadway as a kid, so to actually end up there, I loved it.
I was a huge theater geek growing up, and that was not the easiest thing in the world, especially growing up in Chicago, where sports are really the norm. I was always off to the theater at night, from 7 years old on. Friends there in the Midwest who could talk to you about the idiosyncrasies of 'Pippin' were few and far between.
We didn't have a lot of live theater in Oklahoma. I didn't visit New York when I was growing up. I watched movie musicals, and I believed in an idealistic, idyllic version of Broadway.
I have a complicated relationship with the horror genre. I love it; I loved it as a kid growing up, and I watched Chiller Theater in New York. So I loved it, but then you do feel if you do it too much, you're stuck there.
I always loved theater, growing up, and I was always like, 'Wow, it would be so fun to be an actor.' But my next thought was, like, 'I'm from Nowhere, Maine.' You know, no one's from Maine!
I did a number of local children's theater plays growing up, but in 5th grade, I had some good times on stage making people laugh as a troll in 'The Hobbit.' That solidified my dream to be on 'Saturday Night Live,' which was hugely influential for me growing up.
After I left Yale, we were all doing these mad plays off - off Broadway. And I got back to that feeling I had from college, of everyone making up in front of one cracked mirror, which is what I loved - the scrappy theater idea. I think off-off Broadway healed me, made me an actor again, and I was in so many different crazy shows.
Growing up in the '60s and early '70s, with the space flight and the Apollo program, I always loved planes. I always loved rockets and I always loved space travel.
I'd studied theater growing up and loved that, but didn't have many examples of artists around me.
I grew up doing musical theater. I went to a school for musical theater, so that was always what I wanted to do growing up.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
I've always just loved drawing and loved cartoons. Growing up, I loved Disney films, I loved The Simpsons, and I was a big fan of the comic strip Calvin & Hobbes and the way that they would have weird fantasy and then down-to-earth funny character comedy.
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