A Quote by Laurence Equilbey

Musicians ought to reclaim some of the power in the houses of production. The opera houses are run either by managers or by stage directors, never by musicians. — © Laurence Equilbey
Musicians ought to reclaim some of the power in the houses of production. The opera houses are run either by managers or by stage directors, never by musicians.
There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
Houses! I hate houses. I like public places. Houses break your heart.
I do not come from the industry. But I have realized that it's very important to work with senior directors and good production houses. It makes a lot of difference.
In the mid-1800s, they were known also as 'singsong houses,' and the courtesans were actually master musicians.
Opera needs a major makeover; the large opera houses are too in thrall to their conservative patrons.
The number of opera houses around the world and the high attendance rates show that opera an art form that is more popular than ever.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians are good - Bach, Beethoven - yes, good.
Jonny Lang has the power to move the music into the next millennium by reaching the ears of a new generation. The great musicians have the power to break all of the 'isms'-race, age, sex, et cetera. Jonny Lang is one of those musicians.
If in a city we had six vacant lots available to the youngsters of a certain neighborhood for playing ball, it might be "development" to build houses on the first, and the second, and the third, and the fourth, and even the fifth, but when we build houses on the last one, we forget what houses are for.
2021 is a fresh start for all of us. Production houses, actors, directors, the crew are strictly following shoot guidelines so we can finish our pending shoots and start new projects.
Once we went into the basement and learned a song, we felt successful. Then we learned two songs, and then we got a gig, and on and on - and that's the way musicians think. I don't know about other people - I mean, I don't know about all musicians either - but some are more driven than others.
You will do the greatest service to the state if you shall raise, not the roofs of the houses, but the souls of the citizens: for it is better that great souls should dwell in small houses rather than for mean slaves to lurk in great houses.
What is the source of power of musicians who are financially browbeaten, most of whom work for minimum wage or less? Musicians who cannot even afford to buy tickets to operas or concerts in which they themselves perform?
What is called music today is all too often only a disguise for the monologue of power. However, and this is the supreme irony of it all, never before have musicians tried so hard to communicate with their audience, and never before has that communication been so deceiving. Music now seems hardly more than a somewhat clumsy excuse for the self-glorification of musicians and the growth of a new industrial sector.
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