A Quote by Laurence Fishburne

I think any city that does the Olympics takes on the world and has to grow and has to kind of assimilate all sorts of folks. — © Laurence Fishburne
I think any city that does the Olympics takes on the world and has to grow and has to kind of assimilate all sorts of folks.
Some folks as they grow older grow wise but most folks simply grow stubborner.
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
When you grow up in the city, New York is so big that you can kind of stay in your own little corner of the city and think that that's it because you don't need anything. You don't have to venture out; you don't have to touch the boroughs. You can kind of stay in your neighborhood, and there's everything there.
Everyone who has been to an Olympics says expect the unexpected. That kind of psychology games does go on, so I'm kind of expecting things to happen but I don't know who from. I think it's kind of silly but I'm prepared for it. I'd probably just laugh it off because it means that they are afraid of racing me, so it's like a huge compliment
I suppose that anyone who does any kind of creative work some time in their life - especially as you grow into middle age! - you come to a time where you really question more and more frequently, whether you have anything else to offer. And at its worst, you feel utterly bereft of whatever creative force it takes to do that work.
It takes all sorts of in and outdoor schooling To get adapted to my kind of fooling.
You can't depend on the kind of folks people think they are - you've got to go by what they do. And I wouldn't give much for a man that some folks hadn't thought was a fool, in his time.
I think there's just one kind of folks. Folks.
It takes all sorts of people to make a world, as I've often heard, but I think there are some who could be spared,' Anne told her reflection in the east gable mirror that night.
It takes all sorts (to make a world
I read the other day that Minor White said it takes twenty years to become a photographer. I think that is a bit of an exaggeration. I would say, judging from myself, that it takes at least eight or nine years. But it does not take any longer than it takes to learn to play the piano or the violin. If it takes twenty years, you might as well forget about it!
To work on the competition wear for the Olympics is kind of insane. As a fashion designer, you don't think to yourself, 'I'm going to get the opportunity to work with athletes at that level at the Olympic Games.' It really is such an incredible thing to have any kind of contact with as a designer.
I don't believe in school prayer. I think it's total nonsense...who is the teacher there that is going to have them pray? And is the teacher going to be Catholic or Mormon or Episcopalian or what? It just causes all sorts of problems. And what are the kids praying about anyway? Does it really matter, does praying in school...what are you doing it for? The whole thing just opens up all sorts of elements of discussion. I think it's crazy.
How about those Olympics, ladies and gentlemen. Didn't London look like the place to be? New York City was in the running for this Olympics. But here's what happened. We got outbribed.
It's empowering and uplifting to hear the Special Olympics athletes share their journey and what's helped them to get to where they are today. I had no idea how much I'd learn and grow by taking part in Special Olympics. It's made me think about my own journey and what's important in life.
In a sense, Open City is a kind of Wunderkammer, one of those little rooms assembled with bric-a-brac by Renaissance scholars. I don't mean it as a term of praise: these cabinets of curiousities contained specific sorts of objects - maps, skulls (as memento mori), works of art, stuffed animals, natural history samples, and books - and Open City actually contains many of the same sort of objects. So, I don't think it's as simple as literary inclusiveness.
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