A Quote by Laurence Fishburne

My company, Cinema Gypsy, produced a podcast, 'Bronzeville,' in conjunction with Larenz Tate and his brothers that we're developing into a television show. It deals with a very tight-knit African-American community in Chicago in 1947 and people who run a numbers wheel.
I didn't mind being in a school with a small African-American population. The African-American-community was very tight, and that was great. But I also wanted to interact with other types of folks.
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
I think the artist community is very tight-knit.
Two brothers and a sister, my niece, my nephew... we're a very small group. We're very close, very tight-knit. We spend every holiday weekend together.
Any staffing changes that disproportionately cut the number of African Americans at CNN - intentionally or otherwise - are an affront to the African American journalism community and to the African American community as a whole.
I guess probably in my time in politics, it continued to be affirmed to me that the African-American community, despite being subscription television's most valuable customers, they are very underserved by cable and satellite television programming options.
Gypsy [Rose Lee], who was called Louise as a kid, gave her first performances here with her sister [June Hovac], playing for the local Masonic lodge halls. It was a tight-knit community, and the support and success the act enjoyed here enabled them to hit the road and make it in big-time vaudeville.
Show me a chief executive who’s on five boards and who lends his or her name, prestige and time to 15 community activities — and I’ll show you a company that’s underperforming. A chief executive is paid to run the company. That’s the CEO’s job.
In the community, in the African-American community, one person ought to say something, and that is the minister. The minister is paid by the people. He doesn't work for a big company. He doesn't represent a particular special interest.
It is very important that people understand how important flamenco is to the Gypsy community. There have been some amazing Gypsy artists. It's important that we give visibility to that, but at the same time people have to be fair and recognise that Paco de Lucia was the biggest guitar player in this style of music in the world and he wasn't Gypsy.
I think if you worked at the community level in Chicago and then a politician on the South Side of Chicago, and worked at the state level, then you're pretty familiar with all the variations of politics in the African American community and criticisms you may get. If you're not familiar with those or you don't have a thick enough skin to take it, then you probably wouldn't have gotten here.
I think, though, as African-American women, we are always trained to value our community even at the expense of ourselves, and so we attempt to protect the African-American community.
There are large numbers of people in India below the poverty line, there are large numbers of people who lead a meager existence. They want to find a little escape from the hardships of life, and come and watch something colorful and exciting and musical. Indian cinema provides that. So yes, the content of our television and our cinema is escapist in nature because we are there to provide entertainment.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
The Ukrainian community is tight-knit by nature.
Memphis don't bluff. It's a tight knit community.
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