A Quote by Laurence Fishburne

I've been around long enough now and have learned to be flexible enough to know that every movie isn't going to be 'Apocalypse Now,' and every director doesn't have to be Stanley Kubrick.
Stanley Kubrick was very selective when he went into a close-up. Every director has his taste in a performance, but Stanley would explore a scene to find what was most interesting for him.
I didn't used to care about living a long time. Not that I wasn't enjoying life, but I never sat around asking how I'd get to be 100, you know. But now I want to live long enough to see every school child in the world getting a good, nutritious lunch every day.
I've been at writing long enough now to know that every three or four books, I have to start a new direction.
But I've been at writing long enough now to know that every three or four books I have to start a new direction.
I'm a professional at what I do. I'm an actor. I've been on enough movie sets to know the difference between a stage light and an apple box. I know the difference. Why? Because I've been around it long enough and I know.
I've been in the industry long enough now - I've been a working actor since 2002. I'm very aware that at some point, I won't be as successful as I am now, so I'm enjoying it. I know that there will be points where it's not going as well, and I'm prepared for that.
I watch 2001: A Space Odyssey every time it’s on. I made the kids watch it every time, too, and now they just love watching it. Stanley Kubrick’s great. And Blade Runner is one of my top three science fiction films. A lot of it has come true.
I had as yet no notion that life every now and then becomes literature—not for long, of course, but long enough to be what we best remember, and often enough so that what we eventually come to mean by life are those moments when life, instead of going sideways, backwards, forward, or nowhere at all, lines out straight, tense and inevitable, with a complication, climax, and, given some luck, a purgation, as if life had been made and not happened.
Balance for me now means seeing myself as a tree, being strong enough in my roots and trunk to not be a pushover, but being flexible enough in every circumstance not to break. I am continuing to expand, but not any faster than my roots can support me.
I'd worked in Clockwork Orange with Stanley Kubrick and since Stanley was such a prestigious director this opened all sorts of doors for me - one of them being Star Wars.
I've been around long enough now that people who don't get into the outrageousness, the over-the-top stuff, they know not to buy my books anymore.
When you're in school, every little mistake is a permanent crack in your windshield. But in the real world, if you're not swerving around and hitting the guard rails every now and then, you're not going fast enough. Your biggest risk isn't failing; it's getting too comfortable.
When you’re in school, every little mistake is a permanent crack in your windshield. But in the real world, if you’re not swerving around and hitting the guard rails every now and then, you’re not going fast enough. Your biggest risk isn’t failing; it’s getting too comfortable.
'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like you're being slapped around inside your head by a sonic boom.
I've got so much going on in my day job. And I've been around politics enough to know all the swirl that's fit to print, and so I focus on the reality of the here and now.
We've been around long enough and have been to enough award shows to know that it is easy to lose to Phil Collins at any time.
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