A Quote by Laurence Fishburne

If you're playing a real person, then you want to do a certain amount of research, but that's only going to be so useful to you. Each role requires a different kind of approach to get ready.
Any sort of role requires a certain amount of research and embodiment of the character and psychological investigation.
If there's a role you're playing and there's a great deal of material to explore because the person was real then it's a completely different preparation time and message to playing someone fictional.
There's a certain amount of pressure that comes from playing real people. It's a pressure to deliver something fair and right to the real person and any living relatives. But generally, it's a joy, as you get to target your interest on a particular era.
Actors normally go to the gym to achieve a certain kind of fitness for a role but when you start playing a sport, then you realise that being athletically fit is a very different kind of fitness.
When you see me on TV, that's about as close to my real personality as you can get. There are a certain amount of folks who admire me, there are a certain amount of folks who don't, and I'm not going to try and change their mind. Nothing I can do will change their mind anyway, because they already have a good gauge of who I am as a person.
Whenever I play a role, whether it's good or bad, an evil person or nice person, I believe in being a purist and going all the way with the role. If I'm going to be a villainous wrestler, I believe in going all the way with it and not breaking character and not giving away to the audience that I'm playing a role. I believe in playing it straight to the hilt.
The world is going to end for each of us in a prescribed time, and you sort of understand that your time is limited at a certain point, and you want to get done the things you want to get done. You don't want to leave things undone, because you only have a limited amount of time.
If my role requires a certain kind of dialect, which I think I am not confident enough to do, I'd prefer a dubbing artist then. There shouldn't be a selfish motive, and it's always better to have a certain understanding between the director/producer and the actress.
In passing, I firmly believe that research should be offset by a certain amount of teaching, if only as a change from the agony of research. The trouble, however, I freely admit, is that in practice you get either no teaching, or else far too much.
There's only a certain amount of times in my life where I'm going to get to experience every single person directing their energy and focus on you, screaming at you.
I like as much time as I can get and I'll do whatever I think is helpful to prepare for a role. Sometimes it's practical research, meaning if I had to write shorthand, I'd learn how to write shorthand. Or if I have to know how to dance a certain way, I would learn that. And then there's just research of talking to people similar to the characters I'm playing. And there's stuff that I just feel is inspiring, whether it be music or a painting or a photograph. I've used a lot of Nan Goldin's photos in the past to inspire me. I use certain paintings and pieces of music.
If anybody,wants to get rid of us, then this is a different approach. However, we will get over it; you never know who is going to lose more with such an approach.
I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
When I approach a person, I feel a certain way. If I don't feel that way, I'm not going to approach that individual. "I see something in you" - I want the person to know that.
It's not often that you get a chance in one role to do the glamour bit and then strip off all the makeup and reveal the real person beneath the façade. Usually, it's either a glamorous role or a raw, emotional role.
You want to mix acting styles correctly. People approach the work in different ways. You want to make sure no one wants to kill each other because the approach is different.
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