A Quote by Laurence Fishburne
Obviously, after 'The Matrix,' it was a case of, 'OK, I did that. What's next?' I mean, it's always like that, but more so this time. How do I change it up? How do I keep it interesting for myself?
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What takes courage: no make - up. No make - up at all. Like The Matrix. I did the matrix and they had a rule all the characters in The Matrix, except the leads, of course, wore absolutely nothing on their face.
I don't want to change how I am, how I play, so if it means taking more risks, it's always going to be the case, and that's fine for me.
I like doing commentary. As a filmmaker and film student, I think it's really interesting to hear what a director did and how they figured out how to do things. I often like the technical commentaries myself.
You can't make the kid feel like he just made three mistakes in a row and you're pumping him up. No. There's a balance to it. It's, 'Listen, here's why you did what you did. Don't do it next time, and you'll be OK.'
It was a breaking period for black people coming into baseball, and how many followed depended on Jackie's conduct. But that's not the case now. What and how I do doesn't mean nearly as much as what and how Jackie did.
I get bored with things easily. I always have to change something to keep myself excited. When I feel like I did a really good classical and acoustic album, the next thing I want to do is the opposite. And then I want to do the opposite of that. When I work alone after that, I feel like I should work with a lot of people. When I work with a lot of people after that, I feel that I should work alone.
At 135 I always floated too close to my actual weight. I was always trying to keep my weight up to 135. And every time I faced off with an opponent, I could never believe how large they were after they blew up after weigh-ins. I would always just be the same size.
In Hawaii, after somebody introduces themselves, the next question is, 'What high school did you go to?' From there, it's either 'Oh, OK, it's cool, I know some family,' or it's trash-talking to the max, like 'my school is better than your school.' This is how it kind of is back there.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
It's amazing how much information is coming at us most of the time through technology, the media and the busyness of the world around us. I've decided that the world probably isn't going to change, so I have to change. I'm learning how to keep my mind on what I'm doing, rather than thinking about several things at once or what I want to do next.
I always considered myself working class, because I was brought up on a council estate. I still do, really. I mean, I might have a bit more money now than I did then, but it's in your head, class, I think. It's how you feel in there.
I think I've always had a pretty good time in life. I mean, I've had major trouble, and major brain surgeries, and challenges in relationships - like anyone else - but overall, when I wake up in the morning, and I'm aware, I'm like, "Ok. What's happening today? What's next?"
How you handle the obstacles has a big impact on how you do. If you give up, then you obviously don't get there, but if you're persistent, and you keep thinking of new ways to approach the business, you're more likely to reach your goal.
People are buying more vinyl now than they did in the late '90s or 2000s. I like having different mediums of the record. It's always interesting to see how the tapes end up looking because they are so tiny.
It was time to expect more of myself. Yet as I thought about happiness, I kept running up against paradoxes. I wanted to change myself but accept myself. I wanted to take myself less seriously -- and also more seriously. I wanted to use my time well, but I also wanted to wander, to play, to read at whim. I wanted to think about myself so I could forget myself. I was always on the edge of agitation; I wanted to let go of envy and anxiety about the future, yet keep my energy and ambition.
How did people get over this? They obviously did. Every day someone fell in love with the wrong person and had to pack up all their fragile, misguided hopes and unwanted affection, and move on to the next picnic table.
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