A Quote by Laurence Fox
I once blurted out that I found it impossible to bond with my son Winston because I was too tired. I mean how bloody awful does that sound? What a tosser!
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And make no mistake: irony tyrannizes us. The reason why our pervasive cultural irony is at once so powerful and so unsatisfying is that an ironist is impossible to pin down. All U.S. irony is based on an implicit "I don’t really mean what I’m saying." So what does irony as a cultural norm mean to say? That it’s impossible to mean what you say? That maybe it’s too bad it’s impossible, but wake up and smell the coffee already? Most likely, I think, today’s irony ends up saying: "How totally banal of you to ask what I really mean.
When I think of the things that I want to write, I can never say them out loud because I know how crazy they sound. I know what things sound like when you haven't actually worked on the script, so I don't go around saying some of these ideas because they just sound awful.
That's how vile i am! I live Ireland, I breathe Ireland, and Christ how I loathe it, I wish I were a bloody Scot, that's how bloody awful it is being Irish!
I can't say I'm a Bond girl because I'm too mature to be a Bond girl. I say Bond lady; Bond woman. But I'm proud to be a Bond lady, because actually, Bond is the most amazing man.
Men don't know anything! Men don't know when their lives became so entirely awful, when everyone else turned into such a tosser! A man does not know how he came by the half a pie he is holding in his hand. And scientists - those frauds - seize on this, and try to use it as proof of the mysteries of human consciousness and the unknowable nature of the brain, which is rubbish!
Fancy cutting down all those beautiful trees...to make pulp for those bloody newspapers, and calling it civilisation. - Winston Churchill, remarking to his son during a visit to Canada in 1929
I like working with sound; sound and rhythm. I like the abstract more than "What does that mean?" Nobody ever says to you, "Why did you use a harmonium?" Or "What is that ringing sound that occurs here?" The questions are always "What does that song mean?" or "What were you trying to say here?"
You are a slow learner, Winston." "How can I help it? How can I help but see what is in front of my eyes? Two and two are four." "Sometimes, Winston. Sometimes they are five. Sometimes they are three. Sometimes they are all of them at once. You must try harder. It is not easy to become sane.
I'm a mean beanbag tosser.
But oh my dear, I am tired of being Alice in Wonderland. Does it sound ungrateful? It is. Only I do get tired.
What's Shobhaa De's problem with me and my son? What does she mean by saying, 'Like father, like son?' Let the truth come out.
Don't you love it when people in school are like, “I'm a bad test taker”? You mean, you're stupid. Oh, you struggle with that part where we find out what you know? Oh. No, no, I can totally relate. See, because I'm a brilliant painter, minus my God-awful brushstrokes. Oh, how the masterpiece is crystal up here, but once paint hits canvas, I develop Parkinson's.
Critics have found in the narrative a veneer of erudition that cloaks nothing more than a James Bond-style romp, albeit a highly addictive one. His publisher has described it as 'a thriller for people who don't like thrillers'. One newspaper put it thus: 'It is terribly written, its characters are cardboard cutouts, the dialogue is excruciating in places and, a bit like a computer manual, everything is overstated and repeated - but it is impossible to put the bloody thing down.
For me, the love really flowed when I found out the baby was a boy. That's when I could finally bond, once I knew 'it' was a him.
I made that a point when I was creating my sound from the beginning, I didn't want to sound like anybody. Once I kind of found my own sound, I mastered it.
But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.
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