A Quote by Laurence Harvey
I like a woman who has both maturity and ingenuity. This comes under the heading of femininity.
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A fragrance is like a dress, an expression of personality. It can be both erotic or powerful, or both, but it always combines femininity and sensuality.
If there's a woman who is exhibiting her femininity or performing her femininity, it's always seen as meant to pull in the male gaze.
I like that I'm in shape but still look like a woman. I don't feel like I've had to give up my femininity to be an athlete. I feel good about my body because I work hard every day, and I still look and carry myself as a woman - a strong woman.
When I became a mature woman, I put both feet firmly on the side of maturity.
To the "masculists" of both sexes, "femininity" implies all that men have built into the female image in the past few centuries: weakness, imbecility, dependence, masochism, unreliability, and a certain "babydoll" sexuality that is actually only a projection of male dreams. To the "feminist" of both sexes, femininity is synonymous with the eternal female principle, connoting strength, integrity, wisdom, justice, dependability, and a psychic power foreign and therefore dangerous to the plodding masculists of both sexes.
Simple femininity is the most important thing about a woman, and it is a quality a great many women are in jeopardy of losing. Women are being emancipated out of their femininity in this modern age.
For me, masculinity is about control, and femininity is more of an embrace, the art of listening. It's very inspiring to explore the shadows of masculinity and femininity, and the tensions between both, and the place of women in the world right now.
The nobler and more perfect a thing is, the later and slower it is in arriving at maturity. A man reaches the maturity of his reasoning powers and mental faculties hardly before the age of twenty-eight; a woman at eighteen.
Quite honestly, even as a woman dealer, I really wasn't interested in masculinity or femininity as such. What was important to me was the value of the work itself. If a woman had come along, somebody like Lee Bontecou or Louise Nevelson, and said, "I'm working on the land," I would have gone to see it.
A true poet is more than just a man who can write a poem with a pen. A true poet writes poetry with his very life. A true poet doesn't use poetic devices to con the heart of a woman but uses the beauty of all that is poetic to serve, cherish, and express love to the heart of a woman. Just as a true warrior is not a conqueror of femininity but a protector of femininity, a true poet is not just a wooer of a woman's heart but one who knows how to nurture and plant love in a woman's heart. Simply put, a true poet is a man who knows how to be intimate with a lover - first and foremost with Christ.
An idea is only an idea if it causes unease, debate and reflection. By that standard, Thomas Homer-Dixon's concept of an 'ingenuity gap' is truly a new idea. I can think of no other new concept that so fully condenses all of the challenges we face as a human civilization than the 'ingenuity gap'. Homer-Dixon has found a way to unite all of our concerns about economics, war, population growth, complexity, etc. under a single heading. He is one of an elite group of academics who can write for a mass audience.
The woman who has her being in marriage and motherhood has become part of antithetical reality, revoking property from the woman who remains in a condition of intangible femininity.
Beauty and femininity are ageless and can't be contrived, and glamour, although the manufacturers won't like this, cannot be manufactured. Not real glamour; it's based on femininity.
Every woman deals with sexism most every day of their lives. Growing up, it's just in your day-to-day. There are all these preconceived notions of what it means to be a woman or a girl, and straying from those ideas of femininity is sort of shocking to people. I felt angered by that as a kid. I felt like that was unjust. Like that was not right.
I like to write about women who are talented and capable, but most important, retain their femininity. Women have tremendous power - their femininity, because men can't do without it.
Peter Hyland's poems are both elegantly wrought and meditatively wild. They testify to an original, restless intelligence. He can cast his imagination into a woman's dress, the mind of a grasshopper, or into the glass eyeballs of a buffalo head mounted on the wall of a home in suburban Texas to contemplate 'man's tireless ingenuity.'
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