A Quote by Laurence Olivier
Scratch an actor and you'll find an actor.
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An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
Scratch an actor and you'll find an actress.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
What's with the whole 'child actor' and 'teen actor' thing? You're either an actor or actress, or you're not. I don't get it! I want to be taken seriously as an actor.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
As an actor, I don't really think you find yourself. I mean, once you find yourself, I think it becomes boring and you become set in your ways. I think, as an actor I think it's not a bad thing but more of a gift. It's something you're always doing as an actor. You're adjusting constantly.
Im an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
I'm an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
I went to a masterclass with Jonathan Pryce who said that a successful actor is not a famous actor, it's an actor who acts. And I have been incredibly fortunate to have worked constantly from the moment I left drama school, so I achieved what I set out to do. I am an actor.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
I don't think that many people today, understand the nature of what an improv does for an actor in a specific setting. What an improv does for an actor is help him find the life; it's the life that an actor's after.
The only way to be an actor is to find ways to work as an actor, even if that means doing a one-man show by a river.
History is replete with proofs, from Cato the Elder to Kennedy the Younger, that if you scratch a statesman you find an actor, but it is becoming harder and harder, in our time, to tell government from show business.
Going from a child actor to an adult actor is not an easy thing, and I was sort of lost in a no man's land for a while, trying to figure out who I was as a person, and going from a young actor to an adult actor.
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