A Quote by Laurence Olivier
We ape, we mimic, we mock. We act.
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Not that long ago - in my parents' lives, in fact - actors in minstrel shows wore blackface to mimic and mock African Americans. These performances were based in contempt and gave people an opportunity to act out their prejudices.
Stories mimic life like certain insects mimic leaves and twigs.
Man ceased to be an ape, vanquished the ape, on the day the first book was written.
Mock on, mock on, Voltaire, Rousseau! Mock on, mock on: 'Tis all in vain! You throw the sand against the wind, And the wind blows it back again. And every sand becomes a gem Reflected in the beams divine; Blown back they blind the mocking eye, But still in Israel's paths they shine. The atoms of Democritus And Newton's particles of light Are sands upon the Red Sea shore, Where Israel's tents do shine so bright.
One ape's hallucination is another ape's religious experience - it just depends on which one’s god module is overactive at the time.
Children or babies learn to mimic the vibration of the adults who surround them long before they learn to mimic their words.
Poetry is a mock of a cry at finding a million dollars and a mock of a laugh at losing it.
The effort of using machines to mimic the human mind has always struck me as rather silly. I would rather use them to mimic something better.
Men are competent in groups that mimic the playground, incompetent in groups that mimic the family
Caesar [from the Rise of the Planet of the Apes] was brought up with human beings and because of the drug he had pretty much grown up with his whole life, he felt like an outsider, he felt trapped in an ape's body but he didn't really feel like an ape and that was my way into the character. So he's always had this duality playing him from an infant all the way to now as a fifty-five year old ape.
There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored. The reader of today looks for this motion, and rightly so, but what he has forgotten is the cost of it. His sense of evil is diluted or lacking altogether, and so he has forgotten the price of restoration. When he reads a novel, he wants either his sense tormented or his spirits raised. He wants to be transported, instantly, either to mock damnation or a mock innocence.
Let others mock at you, oppose you, when you are under the influence of any passion; do not be in the least offended with those who mock at or oppose you, for they do you good; crucify your self-love and acknowledge the wrong, the error of your heart. But have the deepest pity for those who mock at words and works of faith and piety, of righteousness; for those who oppose the good which you are doing... God preserve you - getting exasperated at them.
The most perfect ape cannot draw an ape; only man can do that; but, likewise, only man regards the ability to do this as a sign of superiority.
A popular character in old Italian plays, who imitated with ludicrous incompetence the "buffone", or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play.
The most beautiful ape is ugly when compared to a human. The wisest human will seem like an ape when compared to a god with respect to wisdom, beauty, and everything else.
I always thought that Mario was kind of the bad guy - because if you knew about the game, there was supposed to be a back story where Mario was teasing the ape, and the ape stole his girlfriend, and this was kind of karma for Mario, you know?
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