A Quote by Laurence Overmire

Real life is never quite as interesting as the story told afterward. — © Laurence Overmire
Real life is never quite as interesting as the story told afterward.
That story about the two women in my life is - a lot of people get upset, a lot of people question it. Steven Soderbergh said to me, "The story of your life is incredible. The real story of your life that's interesting, more interesting than all the other stuff - the franchises, the movies, the songs, Elvis Presley, Frank Sinatra - the real thing that's interesting and unbelievable is the relationship with these two women. And if you're willing to put that out there, you know then, you're going to have a great movie. Because that's the movie."
People need to understand that what happens in people's homes and behind closed doors, unless you were there, you really shouldn't make any analogy or any assumption, which writers do quite a bit. It's not something I ever for one second thought about. This is not my life story, and I've never told my life story, and I have no interest in telling my life story.
Taking nuances from real life will help you make scenes that have never been done before. It keeps the story interesting.
I think if the content is good and the content is interesting, the at home viewer will watch it for as long as the story is interesting thus the responsibility for making the story interesting falls on the shoulders of the reporter or the producer. Then I'm disappointed that producers have felt that television can only be told in 59 second story bursts because we've become, it's become journalism based on MTV, video electronic editing and cutting.
Quite, quite,' she thought with a little sigh. 'It's always like this in their adventures. To save and be saved. I wish somebody would write a story sometime about the people who warm up the heroes afterward.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
It is easy to make stuff up - and easy to dig up information and repeat it or report it to others. But to find a real life story with real people in real life situations is quite difficult and time-consuming. Yet, the rewards are worth the effort.
As a teenager and a young adult, I never felt like my own story was interesting enough to tell, so I always wrote lyrics from someone else's perspective - told someone else's story.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
I think all tragedies are best told with some humor. You have to relieve the darkness to let the reader get through it. Also, that life has happiness and sadness mixed together. If you told a story that was all darkness, it wouldn't be real.
Orwell says somewhere that no one ever writes the real story of their life. The real story of a life is the story of its humiliations.
The vampire was real. It was only that his true story had never been told.
Everybody is an expert on one thing - that's what I learned in my high school journalism class - and that's, of course, his own life. And everybody deserves to live and have his story told. And if it doesn't seem like an interesting story, then that's the failure of the listener, or the journalist who retells it badly.
If it is true ... that no one has a life worth thinking about whose life story cannot be told, does it not then follow that life could be, even ought to be, lived as a story, that what one has to do in life is to make the story come true?
It's a lot more interesting to learn and discover real-life principles when they are revealed in the form of a story.
How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but — mainly — to ourselves.
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